i cannot tell if this was a dream or a vision i had this morning and obviously it doesn't matter. i woke up early to go to the bathroom cause i kept having dreams about needing to pee.... as i've mentioned before, i always have more vivid experiences when i wake up for a while and then dip back into the dreamworld.
my roommate was up blasting Sub Swara and dancing by 7 so i put my headphones on for the swim~ immediately i drop into a hypnagogic state and i see this super psychedelic mandala of white, blue and yellow light shifting, morphing and creating a beautiful sensory experience throughout my body. the meridians are coursing with electromagnetic buzzzzzz as the center of the mandala becomes more and more clear.... it becomes an indescribable vajra and as it pulses and morphs around, my heart chakra fully flowers and i am almost in tears. i hear jen's music and was pulled back into my waking awareness and sort of ebbed and flowed between the vision and my 3D... my roommate comes up to my room and i tell her about the experience and i pull the vajra from my heart in the vision into my reality and hand it to her. she smiles, giggles and shuffles down the stairs excitedly.
and then i wake up, seemingly again.
(the music i was playing on my headphones was Dr. Jeffrey Thompson's delta brainwave technology)
To dream that your vision is obstructed, indicates that you are about to make an error in judgment. There is something that you are not seeing clearly.
To see visions in your dream, indicate that your mind is free from any restraint and free to wander without any inhibitions. Such dreams are said to have a different feel. Some of these vision dreams may be described as epic dreams.
Dreaming that your vision is obstructed means that you are having difficulties and errors in judgment. Seeing strange visions in your dream indicates misfortune and illness.
To dream that it is morning, suggests that fortune and pleasure are within near reach. It also denotes new beginnings, renewal, an awakening or starting over. Alternatively, the dream may also be a pun on "mourning". Are you grieving over something or someone? In particular, if the morning is cloudy, then it signifies an important situation that will burden you for a while.
To see the morning dawn clear in your dreams, prognosticates a near approach of fortune and pleasure.
A cloudy morning, portends weighty affairs will overwhelm you.
Dreaming that it is morning indicates that fortune and pleasure are within near reach. It may also indicates new beginnings, renewal, an awakening or starting over. Dreaming that the morning is cloudy means that an important situation will burden you for a while.
To dream that you are wearing headphones, indicate that you are the only one getting the message. Furthermore, it means that you are in tune with your intuition.
Dreaming that you are wearing headphones indicates that you are the only one getting the message. It also indicates that you are in tune with your intuition.
To dream that you attend a wake, denotes that you will sacrifice some important engagement to enjoy some ill-favored assignation.
For a young woman to see her lover at a wake, foretells that she will listen to the entreaties of passion, and will be persuaded to hazard honor for love.
To dream that you attend a wake, refers to your grieving process. You need to find closure. It is okay to seek the support in order to help you get through a difficult time. Alternatively, the dream suggests that it is time to celebrate the positive qualities of someone who is no longer in your life.
To dream that you are waking up in your dream, indicates that something is missing or lacking in your life. There is an aspect of your life that you are not utilizing to its fullest potential. You are not recognizing your abilities. The dream is literally telling you to open your eyes and wake up! Alternatively, waking up in your dream may be a signal of a lucid dream.
Dreaming that you attend a wake of a friend or loved one, foretells that you will hear sad news. Seeing a friend attending a wake, forewarns that that friend is in grave danger. Dreaming that you are waking up in your dream, indicates that something is missing or lacking in your life. There is an aspect of your life that you are not utilizing to its fullest potential. You are not recognizing your abilities.
To see your old roommate in your dream, suggests that there is a lesson that you need to acknowledge from that former relationship and apply it to a current life situation. Perhaps you need to incorporate aspects of your ex-roommate with your own self.
To dream of your current roommate, indicates that there are issues that you are not confronting with him or her.
To dream that you are looking for a roommate, suggests that you are ready to incorporate a new and unknown component into your life. You are receptive to change.
To see God in your dream, signifies your spirituality and expression of your feelings about divinity. God also symbolizes an untouchable, unreachable, and unattainable notion of perfection. Thus such a dream may highlight your struggles and attempts with trying to be perfect.
To dream that you are worshipping God, signifies repentance of your actions and errors.
To dream that God speaks to you, signifies feelings of guilt, eternal punishment, and damnation.
To dream that you are a god, implies your own special talents which you have not yet recognized or fully developed. Alternatively, it refers to your feelings of superiority over others. You think you are above others and have a tendency to look down on people.
If you dream of seeing God, you will be domineered over by a tyrannical woman masquerading under the cloak of Christianity. No good accrues from this dream.
If God speaks to you, beware that you do not fall into condemnation. Business of all sorts will take an unfavorable turn. It is the forerunner of the weakening of health and may mean early dissolution.
If you dream of worshiping God, you will have cause to repent of an error of your own making. Look well to observing the ten commandments after this dream.
To dream that God confers distinct favors upon you, you will become the favorite of a cautious and prominent person who will use his position to advance yours.
To dream that God sends his spirit upon you, great changes in your beliefs will take place. Views concerning dogmatic Christianity should broaden after this dream, or you may be severely chastised for some indiscreet action which has brought shame upon you. God speaks oftener to those who transgress than those who do not. It is the genius of spiritual law or economy to reinstate the prodigal child by signs and visions. Elijah, Jonah, David, and Paul were brought to the altar of repentence through the vigilant energy of the hidden forces within.
This is a rare dream which few people experience. Great success and elevation.
Seeing God in your dream means your spirituality and expression of your feelings about divinity. God also symbolizes an untouchable, unreachable, and unattainable notion of perfection. Thus such a dream may highlight your struggles and attempts with trying to be perfect. Dreaming that you are worshipping God means repentance of your actions and errors. Dreaming that God speaks to you means feelings of guilt, eternal punishment, and damnation. Dreaming that you are a god, implies your own special talents which you have not yet recognized or have not fully developed. Alternatively, it suggests your feelings of superiority over others.
Regardless of whether we believe in a God or not, all of us have been exposed to the idea of a supreme and omnipresent being. The dilemma over the existence of God is probably the most common dilemma of them all. Everyone from time to time will have a dream about "God." Its symbolism depends on the dreamer. God in our dreams can be considered a positive or self-affirming symbol. It represents truth, purity, and love. It also represents the creative energy that is abundant in all of us (whether we know it or not). For a certain number of people, in the dream state, God may have negative connotations. For them God could represent eternal punishment, damnation, and invoke massive amount guilt. Most religions consider dreams to be a pathway to God or to the spiritual realm. Through dreams we have an opportunity to have experiences that are not available during the day. Our unconscious mind may be more capable of connecting to the eternal flow of spirit and it may be the dwelling place of the soul.
This is a Hindu term for a circle. It is a kind of yantra (instrument,
means or emblem), in the form of a ritual geometric diagram, sometimes corresponding to a specific, divine attribute or to some form of enchantment (mantra)
which is thus given visual expression (6). Cammann suggests that mandalas were
first brought to Tibet from India by the great guru Padma Sambhava in the 8th
century A.D. They are to be found all over the Orient, and always as a means
towards contemplation and concentration—as an aid in inducing certain mental
states and in encouraging the spirit to move forward along its path of evolution
from the biological to the geometric, from the realm of corporeal forms to the
spiritual. According to Heinrich Zimmer, mandalas are not only painted or drawn,
but are also actually built in three dimensions for some festivals. One of the
members of the Lamaist convent of Bhutia Busty, Lingdam Gomchen, described
the mandala to Carl Gustav Jung as ‘a mental image which may be built up in the
imagination only by a trained lama’. He maintained that ‘no one mandala is the
same as another’: all are different because each is a projected image of the
psychic condition of its author, or in other words, an expression of the modifcation brought by this psychic content to the traditional idea of the mandala.
Thus, the mandala is a synthesis of a traditional structure plus free interpretation. Its basic components are geometric figures, counterbalanced and concentric. Hence it has been said that ‘the mandala is always a squaring of the circle’.
There are some works—the Shri-Chakra-Sambhara-Tantra is one—which prescribe rules for the better imagining of this image. Coinciding in essence with the.
mandala are such figures as the Wheel of the Universe, the Mexican ‘Great Calendar Stone’, the lotus flower, the mythic flower of gold, the rose, and so on. In a
purely psychological sense it is feasible to identify the mandala with all figures composed of various elements enclosed in a square or a circle—for instance, the
horoscope, the labyrinth, the zodiacal circle, figures representing ‘The Year’ and
also the clock. Groundplans of circular, square or octagonal buildings are also
mandalas. As for the three-dimensional form, there are temples built after the
pattern of the mandala with its essential counterbalancing of elements, its geometric form and significant number of component elements. The stupa in India is
the most characteristic of these temples. Again, according to Cammann, there are
some Chinese shields and mirror-backs which are mandalas. In short, the mandala
is, above all, an image and a synthesis of the dualistic aspects of differentiation
and unification, of variety and unity, the external and the internal, the diffuse and
the concentrated (32). It excludes disorder and all related symbolisms, because,
by its very nature, it must surmount disorder. It is, then, the visual, plastic
expression of the struggle to achieve order—even within diversity—and of the
longing to be reunited with the pristine, non-spatial and non-temporal ‘Centre’,
as it is conceived in all symbolic traditions. However, since the preoccupation
with ornamentation—that is, with unconscious symbolism—is in effect a concern for ordering a certain area—that is, for bringing order into chaos—it follows
that this struggle has two aspects: firstly, the possibility that some would-be
mandalas are the product of the simple (aesthetic or utilitarian) desire for order,
and secondly, the consideration that the mandala proper takes its inspiration
from the mystic longing for supreme integration. In Jung’s view, mandalas and all
concomitant images—prior, parallel or consequent—of the kind mentioned above,
are derived from dreams and visions corresponding to the most basic of religious
symbols known to mankind—symbols which are known to have existed as far
back as the Palaeolithic Age (as is proved, for example, by the Rhodesian rock
engravings). Many cultural, artistic or allegorical works, and many of the images
used in numismatics, must have sprung from this same primordial interest in the
psychic or inner structure (with its external counterpart to which so many rites
pertaining to the founding of cities and temples, to the divisions of heavens, to
orientation and the space-time relationship, bear eloquent testimony). The juxtaposition of the circle, the triangle and the square (numerically the equivalents of
the numbers one and ten; three; and four and seven) plays a fundamental rôle in
the most ‘classic’ and authentic of oriental mandalas. Even though the mandala
always alludes to the concept of the Centre—never actually depicting it visually
but suggesting it by means of the concentricity of the figures—at the same time it
exemplifies the obstacles in the way of achieving and assimilating the Centre. In
this way, the mandala fulfils its function as an aid to man in his efforts to regroup
all that is dispersed around a single axis—the Jungian Selbst. It is of interest to note that the same problem occupied the alchemists, except that a very different
aspect of being was under investigation. Jung suggests that the mandala represents an autonomous psychic fact, or ‘a kind of nucleus about whose intimate
structure and ultimate meaning we have no direct knowledge’ (32). Mircea Eliade,
speaking as an historian of religions and not as a psychologist, sees the mandala
chiefly as an objective symbol, an imago mundi rather than a projection of the
mind, without, however, discrediting the latter interpretation. The structure of a
temple—the Borobudur temple for instance—in the form of a mandala has as its
aim the creation of a monumental image of life and the ‘distortion’ of the world to
make it a suitable vehicle for the expression of the concept of supreme order
which man—the neophyte or initiate—might then enter as he would enter into
his own spirit. The same is true of the great mandalas traced on the ground with
coloured threads or coloured dust. Here, rather than serving the purposes of
contemplation, they have a ritual function in which a man may move gradually
towards the inner area, identifying himself with each stage and each zone as he
goes. This rite is analogous to that of entering into the labyrinth (denoting the
quest for the Centre) (18), and the psychological and spiritual implications are
self-evident. There are some mandalas which counterbalance not enclosed figures
but numbers arranged in geometric discontinuity (for instance: four points, then
five, then three), and are then identified with the Cardinal Points, the Elements,
colours, and so on, the significance of the mandala being wonderfully enriched by
these additional symbolisms. Mirrors of the Han dynasty depict the numbers
four and eight balancing each other and disposed round the centre in five zones
which correspond to the five Elements (that is, the four material Elements plus
the spirit or quintessence). In the West, alchemy made quite frequent use of
figures having a definite affinity with the mandala, composed of counterpoised
circles, triangles and squares. According to Heinrich Khunrath, the triangle within
the square produces the circle. There are, as Jung has pointed out, ‘distorted’
mandalas different in form from the above and based upon the numbers six, eight
and twelve; but they are comparatively rare. In all mandalas in which numbers are
the predominant element, it is number-symbolism which can best plumb its
meaning. The interpretation should be such that the superior (or the principal)
elements are always those nearest the centre. Thus, the circle within the square is
a more developed structure than the square within the circle. And the same
relationship to the square holds good for the triangle; the struggle between the
number three and the number four seems to represent that between the central
elements of the spirit (corresponding to three) and the peripheral components,
that is, the Cardinal Points as the image of ordered externality (corresponding to four). The outer circle, on the other hand, always fulfils the unifying function of
overriding the contradictions and the irregularities of angles and sides by means of
its implicit movement. The characteristics of the ShriYantra, one of the finest
mandala-instruments, have been explained by Luc Benoist. It is composed around
a central point which is the metaphysical and irradiating point of primordial
energy; however, this energy is not manifest and therefore the central point does
not actually appear in the drawing, but has to be visualized. Surrounding it is a
complex pattern of nine triangles—an image of the transcendent worlds; four of
these triangles have the apex pointing upwards and the other five downwards.
The intermediate—or subtle—world is suggested by a triple aureole surrounding
the triangles. An eight-petalled lotus (signifying regeneration), together with others of sixteen petals, and a triple circle, complete this symbolic representation of
the spiritual world. The fact that it exists within the material world is suggested
by a triple-lined serrated surround, signifying orientation in space (6).
To see a mandala in your dream, signifies that you will experience some positive changes in your waking life. It also symbolizes wholeness, unity, healing, inner peace, spirituality, and harmony.
Seeing a mandala in your dream means that positive changes are occurring in your waking life. It also symbolizes wholeness, unity, healing, spirituality, and harmony.
In the vertical scheme of the human body, the focal points are three in
number: the brain, the heart and the sexual organs. But the central point is the
heart, and in consequence it comes to partake of the meanings of the other two.
The heart was the only part of the viscera left by the Egyptians in the mummy,
since it was regarded as the centre indispensable to the body in eternity; for all
centres are symbols of eternity, since time is the motion of the periphery of the
wheel of phenomena rotating around the Aristotelian ‘unmoved mover’. In traditional ways of thought, the heart was taken as the true seat of intelligence, the
brain being merely instrumental (25); hence, in ancient attempts to explain the
profound and continuing analogies between concepts, the moon was said to
correspond to the brain and the sun to the heart. All representations of the
‘Centre’ have been related in some way to the heart, either through correspondences or through substitution, as in the case of the goblet, the coffer and the
cavern. For the alchemists, the heart was the image of the sun within man, just as
gold was the image of the sun on earth (32). The importance of love in the mystic
doctrine of unity explains how it is that love-symbolism came to be closely linked
with heart-symbolism, for to love is only to experience a force which urges the
lover towards a given centre. In emblems, then, the heart signifies love as the
centre of illumination and happiness, and this is why it is surmounted by flames,
or a cross, or a fleur-de-lis, or a crown (4).
To see your heart in your dream, signifies truth, courage, love, and romance. It is representative of how you are currently dealing with your feelings and expressing your emotions. Also consider the saying "the heart of the matter" which implies that you may need to get down to the core of a situation before proceeding.
To see a winged heart in your dream, represents the power of love and its ability to penetrate through to anyone.
To dream that your heart is bleeding or aching, represents desperation, despair, extreme sadness and sympathy. You are lacking support or love in some a situation in your life.
To dream that you have a heart transplant or heart surgery, indicates a huge change in your personal relationship. Perhaps you are involved in a rebound relationship.
To dream of your heart paining and suffocating you, there will be trouble in your business. Some mistake of your own will bring loss if not corrected.
Seeing your heart, foretells sickness and failure of energy.
To see the heart of an animal, you will overcome enemies and merit the respect of all.
To eat the heart of a chicken, denotes strange desires will cause you to carry out very difficult projects for your advancement.
Seeing your heart in your dream means truth, courage, love, and romance. It is representative of how you are currently dealing with your feelings and expressing your emotions. Also consider the saying "the heart of the matter" which implies that you may need to get down to the core of a situation before proceeding.
The symbolism of music is of the greatest complexity and we cannot
here do more than sketch out some general ideas. It pervades all the component
elements of created sound: instruments, rhythm, tone or timbre, the notes of the
natural scale, serial patterns, expressive devices, melodies, harmonies and forms.
The symbolism of music may be approached from two basic standpoints: either
by regarding it as part of the ordered pattern of the cosmos as understood by the ancient, megalithic and astrobiological cultures, or else by accepting it as a phenomenon of ‘correspondence’ linked with the business of expression and communication. Another of the fundamental aspects of music-symbolism is its connexion
with metre and with number, arising out of the Pythagorean theory (27). The
cosmic significance of musical instruments—their allegiance to one particular
Element—was first studied by Curt Sachs in Geist und Werden der
Musikinstrumente (Berlin, 1929). In this symbolism, the characteristic shape of
an instrument must be distinguished from the timbre, and there are some common
‘contradictions’ between these two aspects which might possibly be of significance as an expression of the mediating rôle of the musical instrument and of
music as a whole (for an instrument is a form of relationship or communication,
substantially dynamic, as in the case of the voice or the spoken word). For
example, the flute is phallic and masculine in shape and feminine in its shrill pitch
and light, silvery (and therefore lunar) tone, while the drum is feminine by virtue
of its receptacle-like shape, yet masculine in its deep tones (50). The connexion
of music-symbolism with self-expression (and even with graphic art) is well in
evidence in primitive music-making, which often amounted to almost literal imitations of the rhythms and movements, the features and even the shapes of
animals. Schneider describes how, hearing some Senegalese singing the ‘Song of
the Stork’, he began to ‘see as he was listening’, for the rhythm corresponded
exactly to the movements of the bird. When he asked the singers about this, their
reply confirmed his observation. Given the laws of analogy, we can also find
cases of the expressive transferred to the symbolic: that is, a melodic progression
as a whole expresses certain coherent emotions, and this progression corresponds
to certain coherent, symbolic forms. On the other hand, alternating deep and highpitched tones express a ‘leap’, anguish and the need for Inversion; Schneider
concludes that this is an expression of the idea of conquering the space between
the valley and the mountain (corresponding to the earth and the sky). He observes that in Europe the mystic designation of ‘high music’ (that is, high-pitched)
and ‘low music’ (low-pitched) persisted right up to the Renaissance. The question of relating musical notes to colours or to planets is far from being as certain
as other symbolic correspondences of music. Nevertheless, we cannot pass on
without giving some idea of the profound, serial relationship which exists in
phenomena: for instance, corresponding to the pentatonic scale we usually find
patterns grouped in fives; the diatonic and modal scale, since it has seven notes,
is related to most of the astrobiological systems, and is unquestionably the most
important of all the series; the present-day tendency towards the twelve-note
series could be compared to the signs of the Zodiac. But, so far, we have not found sufficient evidence for this particular facet of musicsymbolism. All the
same, here are the correspondences as set down by Fabre d’Olivet, the French
occultist: Mi—the Sun, fa—Mercury, sol—Venus, la—the Moon, ti—Saturn,
do—Jupiter, re—Mars (26). A more valid series of relationships, at least in the
expressive aspect, is that which links the Greek modes with the planets and with
particular aspects of the ethos, as follows: the mi-mode (the Dorian)—Mars
(who is severe or pathetic); the re-mode (the Phrygian)—Jupiter (ecstatic): the
do-mode (the Lydian)—Saturn (pained and sad); the ti-mode (the Hypodorian)—
the Sun (enthusiastic); the la-mode (the Hypophrygian)—Mercury (active); the
sol-mode (the Hypolydian)—Venus (erotic); the fa-mode (the Mixolydian)—the
Moon (melancholy) (50). Schneider’s profound investigations into the symbolism of music seem to us well-founded. The tetrachord formed by the notes do, re,
mi, fa, he considers, for instance, to be a mediator between heaven and earth, the
four notes corresponding respectively to the lion (signifying valour and strength),
the ox (sacrifice and duty), man (faith and incarnation) and the eagle (elevation
and prayer). Conversely, the tetrachord formed by sol, la, ti, do, could represent
a kind of divine duplicate of the previous tetrachord. Fa, do, sol, re are regarded as
masculine elements corresponding to the Elements of fire and air and to the
instruments of stone and metal, whereas la, mi, ti, are feminine, and pertain to the
Elements of water and earth. The interval fa-ti, known to musicologists as a
tritone (or augmented fourth), expresses with its dissonance the ‘painful’ clash
between the Elements of fire and water—a clash occurring in death itself (50). We
have been able to suggest here only a few outlines of the music-symbolism
developed by Schneider in his work The Musical Origin of Animal-Symbols, the
scope of which is so wide that, as he has privately intimated to us, he believes all
symbolic meanings are at root musical or at least to do with sounds. This becomes
easier to understand when we recall that singing, as the harmonization of successive, melodic elements, is an image of the natural connexion between all things,
and, at the same time, the communication, the spreading and the exaltation of the
inner relationship linking all things together. Hence Plato’s remark that the character of a nation’s music cannot be altered without changing the customs and
institutions of the State (26).
To hear harmonious and soothing music in your dream, signifies prosperity and pleasure. You are expressing your emotions in a positive way. Music serves to heal the soul.
To hear discordant or out of tune music in your dream, signifies unhappiness, lack of harmony, and troubles in your relationship or domestic life.
To dream of hearing harmonious music, omens pleasure and prosperity.
Discordant music foretells troubles with unruly children, and unhappiness in the household.
In the Egyptian tongue, the term designating the hand was related to
that for the pillar (or a support, or strength) and for the palm (4). In esoteric
doctrine, the position of the hand in relation to the body, and the arrangement of
the fingers, convey certain precise symbolic notions (48). According to the Egyptian system of hieroglyphs, the hand signifies manifestation, action, donating and
husbandry. An eye in association with a hand—as for example in some oriental
mythic beings—symbolize ‘clairvoyant action’ (19). Schneider concedes a major
rôle to the hand ‘because it is the corporeal manifestation of the inner state of the
human being’ and because ‘it expresses an attitude of mind in terms other than the
acoustic’—or, in other words, a gesture. It follows, then, that the raised hand is
the symbol of the voice and of song; the hand placed on the breast indicates the
attitude of the sage; placed on the neck it denotes sacrifice; two hands joined
signifies mystic marriage—the Jungian individuation; the hand covering the eyes
represents clairvoyance at the moment of death (50). Of great importance is the
fact that the hand has five fingers, firstly, because of its broad analogy with the
human figure (composed of four extremities plus the head), and, secondly, by
reason of the symbolism of the number five (denoting love, health and humanity)
(40). In Egyptian hieroglyphics, the open hand signifies any specificially human
task as well as magnetic force (19)—an idea also characteristic of pre-Columbian
America. And a very similar belief lies behind the widespread use of the hand as
an amulet in Islamic cultures. According to Berber thought, the hand signifies
protection, authority, power and strength; the manus had the same meaning for
the Romans, symbolizing in particular the authority of the pater familias and of
the emperor, and is sometimes to be seen surmounting the signum of the legions
in place of the imperial eagle. In the Islamic amulets mentioned above, the figure
of the hand undergoes various modifications or appears in association with other
symbols, as, for instance, the star, the dove, the bird, the fan, the zigzag and the
circle, forming emblems comparable with those of the Christian West (12). The
familiar emblem of the ‘linked hands’ is expressive of a virile fraternity, or solidarity in the face of danger (49). In Jung’s opinion, the hand is endowed with a generative significance (31). The difference between the right hand and the left is
usually ignored, but when the distinction is made it appears merely to serve the
purpose of enriching the basic significance with the additional implications of
space-symbolism, the right side corresponding to the rational, the conscious, the
logical and the virile; the left side representing the converse (33). There are alchemic images which represent a King clasping in his own left hand the left hand
of the Queen. Jung suggests that this may refer to the unconscious character of
their union but that it may also be indicative either of affection or of suspicion
(33).
To dream of your hands, represent your relationships with those around you and how you connect with the world. Hands serve as a form of communication and can represent authority, hate, protection, justice, etc depending on the gesture. Perhaps you need to lend a helping hand to someone. In particular, the left hand symbolizes your graciousness and your feminine, receptive qualities, while the right hand symbolizes the masculine and active attributes. The right hand may also be a pun for some decision or something being "right". If you dream that your hands are detached or see disembodied hands, then it indicates that you are not getting your point of view across. You are not being understood. The dream may also symbolize feelings of loneliness.
To dream that you are holding hands with someone, represents love, affection and your connection with that person. Your dream may also reflect anxieties about losing touch with him/her or that you are drifting apart.
To dream that you hands are injured, denote an attack on your ego.
To dream that your hands are clasped or closed, signify unity, completeness, acceptance or agreement. On a more negative note, it may suggest that you are close-minded, ungiving or unwilling to help.
To dream that you have unusually large hands, denote success in achieving your goals.
To dream that your hands are hairy or rough, imply your lack of gentleness in dealing with others. You may be too brash and abrasive.
To see blood on your hands, signifies that you are experiencing some sort of guilt.
To dream that you are washing your hands, represent a worrisome issue that you need to work through. Alternatively, it suggests that you are in denial or no longer taking responsibility of some matter. You are letting go and getting things out of your system.
To dream that your hands are itchy, indicate issues with money. If the left hand is itchy, then it signifies money being received. If the right hand or both hands are itchy, then it signifies money being given or lost.
If you see beautiful hands in your dream, you will enjoy great distinction, and rise rapidly in your calling; but ugly and malformed hands point to disappointments and poverty. To see blood on them, denotes estrangement and unjust censure from members of your family.
If you have an injured hand, some person will succeed to what you are striving most to obtain.
To see a detached hand, indicates a solitary life, that is, people will fail to understand your views and feelings. To burn your hands, you will overreach the bounds of reason in your struggles for wealth and fame, and lose thereby.
To see your hands covered with hair, denotes that you will not become a solid and leading factor in your circle.
To see your hands enlarged, denotes a quick advancement in your affairs.
To see them smaller, the reverse is predicted.
To see your hands soiled, denotes that you will be envious and unjust to others.
To wash your hands, you will participate in some joyous festivity.
For a woman to admire her own hands, is proof that she will win and hold the sincere regard of the man she prizes above all others.
To admire the hands of others, she will be subjected to the whims of a jealous man. To have a man hold her hands, she will be enticed into illicit engagements. If she lets others kiss her hands, she will have gossips busy with her reputation. To handle fire without burning her hands, she will rise to high rank and commanding positions.
To dream that your hands are tied, denotes that you will be involved in difficulties. In loosening them, you will force others to submit to your dictations.
Dreaming of your hands, represents your relationship to those around you and how you connect with the world. Hands serve as a form of communication. Perhaps you need to lend out a helping hand to someone. In particular, the left hand symbolizes your graciousness and feminine, receptive qualities. And the right hand symbolizes masculine, active attributes. It may also be a pun for some decision or something being "right". Dreaming that you are holding hands with someone, represents your connection with that person. Your dream may also reflect anxieties about losing touch with him/her or that you are drifting apart. Dreaming that you hands are injured indicates an attack on your ego. Dreaming that your hands are clasped or closed means unity, completeness, acceptance or agreement. On a more negative note, it may suggest that you are close-minded, ungiving or unwilling to help. Dreaming that you have unusually large hands indicates much success in achieving your goals. Dreaming that your hands are hairy or rough, implies your lack of gentleness in dealing with others. You may be too brash and abrasive. Seeing blood on your hands means that you are experiencing some sort of guilt. Dreaming that you are washing your hands, represents a worrisome issue that you need to work through. Alternatively, it suggests that you are no longer taking responsibilities in some matter. You are letting go and getting things out of your system.