The essence of the question involved here is contained in the saying of
Plotinus that the eye would not be able to see the sun if, in a manner, it were not
itself a sun. Given that the sun is the source of light and that light is symbolic of
the intelligence and of the spirit, then the process of seeing represents a spiritual
act and symbolizes understanding. Hence, the ‘divine eye’ of the Egyptians—a
determinative sign in their hieroglyphics called Wadza—denotes ‘He who feeds
the sacred fire or the intelligence of Man’ (28)—Osiris, in fact. Very interesting,
too, is the way the Egyptians defined the eye—or, rather, the circle of the iris
with the pupil as centre—as the ‘sun in the mouth’ (or the creative Word) (8). René Magritte, the surrealist painter, has illustrated this same relationship between the sun and the mouth in one of his most fascinating paintings. The possession of two eyes conveys physical normality and its spiritual equivalent, and it
follows that the third eye is symbolic of the superhuman or the divine. As for the
single eye, its significance is ambivalent: on the one hand it implies the subhuman
because it is less than two (two eyes being equated with the norm); but on the
other hand, given its location in the forehead, above the place designated for the
eyes by nature, it seems to allude to extra-human powers which are in fact—in
mythology—incarnated in the Cyclops. At the same time the eye in the forehead
is linked up with the idea of destruction, for obvious reasons in the case of the
single eye; but the same also applies when there is a third eye in the forehead, as
with Siva (or Shiva). This is explained by reference to one of the facets of the
symbolism of the number three: for if three can be said to correspond to the
active, the passive and the neutral, it can also apply to creation, conservation and
destruction. Heterotopic eyes are the spiritual equivalent of sight, that is, of
clairvoyance. (Heterotopic eyes are those which have been transferred anatomically to various parts of the body, such as the hands, wings, torso, arms, and
different parts of the head, in figures of fantastic beings, angels, deities and so on.)
When the eyes are situated in the hand, for example, by association with the
symbolism of the hand they come to denote clairvoyant action. An excessive
number of eyes has an ambivalent significance which it is important to note. In
the first place, the eyes refer to night with its myriads of stars, in the second
place, paradoxically yet necessarily, the possessor of so many eyes is left in
darkness. Furthermore, by way of corroboration, let us recall that in symbolist
theory multiplicity is always a sign of inferiority. Such ambivalences are common
in the realm of the unconscious and its projected images. Instructive in this
connexion is the example of Argus, who with all his eyes could not escape death.
The Adversary (Satan, in Hebrew) has been represented in a variety of ways,
among others, as a being with many eyes. A Tarot card in the Cabinet des Estampes
in Paris (Kh. 34d), for instance, depicts the devil as Argus with many eyes all over
his body. Another comparable symbolic device is also found commonly in demonic figures: it consists of taking some part of the body that possesses, as it
were, a certain autonomy of character or which is directly associated with a
definite function, and portraying it as a face. Multiple faces and eyes imply
disintegration or psychic decomposition—a conception which lies at the root of the demoniacal idea of rending apart (59). Finally, to come back to the pure
meaning of the eye in itself, Jung considers it to be the maternal bosom, and the
pupil its ‘child’.
(1)
Thus the great solar god becomes a child again, seeking renovation at his mother’s bosom (a symbol, for the Egyptians, of the mouth) (31).
1 The Jungian idea is expressed as a pun. ‘Niña’ means both ‘daughter’ and ‘pupil (of the eye)’. The
phrase ‘Niña de los ojos’ is like the English ‘apple of one’s eye’, which gives something of the feel of
the pun.—Translator

To dream of seeing an eye, warns you that watchful enemies are seeking the slightest chance to work injury to your business. This dream indicates to a lover, that a rival will usurp him if he is not careful.

To dream of brown eyes, denotes deceit and perfidy.
To see blue eyes, denotes weakness in carrying out any intention.
To see gray eyes, denotes a love of flattery for the owner.
To dream of losing an eye, or that the eyes are sore, denotes trouble.

To see a one-eyed man, denotes that you will be threatened with loss and trouble, beside which all others will appear insignificant.

Seeing your own eyes in your dream, represents enlightenment, knowledge, comprehension, understanding, and intellectual awareness. Unconscious thoughts may be coming onto the surface. The left eye is symbolic of the moon, while the right eye represents the sun. It may also be a pun on "I" or the self. If you dream that your eyes have turned inside your head and you can now see the inside of your head, then it symbolizes insight and something that you need to be aware of. This dream may be literally telling you that you need to look within yourself. Trust your intuition and instincts. Dreaming that you have something in your eye, represents obstacles in your path. Alternatively, it may represent your critical view and how you tend to see faults in others. Dreaming that you have one eye indicates your refusal to accept another viewpoint. It suggests that you are one-sided in your ways of thinking. Dreaming that you have a third eye, symbolizes inner vision and insight. You need to start looking within yourself. Dreaming that your eyes are injured or closed, suggests your refusal to see the truth about something or the avoidance of intimacy. You may be expressing feelings of hurt, pain or sympathy. Dreaming that you have crossed eyes indicates that you are not seeing straight with regards to some situation. You may be getting your facts mixed up.

To dream that your vision is obstructed, indicates that you are about to make an error in judgment. There is something that you are not seeing clearly.

To see visions in your dream, indicate that your mind is free from any restraint and free to wander without any inhibitions. Such dreams are said to have a different feel. Some of these vision dreams may be described as epic dreams.

Dreaming that your vision is obstructed means that you are having difficulties and errors in judgment. Seeing strange visions in your dream indicates misfortune and illness.

To dream that you are dreaming, signifies your emotional state. You are excessively worried and fearful about a situation or circumstance that you are going through.

To see plant or tree roots in your dream, symbolize the depths and core of your unconscious mind and soul. It represents your values and belief system. Alternatively, roots denote your family ties and bonds. You may be searching into your past. Or perhaps you need to get to the root of some problem in your waking life. meanings by DreamMoods.com

To dream that you are pulling up roots, suggests that you are ready to move on from the past. You have to let go of the relationship that is holding you back.

To dream of seeing roots of plants or trees, denotes misfortune, as both business and health will go into decline.

To use them as medicine, warns you of approaching illness or sorrow.

To see a burning candle in your dream, signifies that good luck and hope will be coming your way in small and steady amounts. You are in a comfortable stage in your life and may be seeking spiritual enlightenment. Lit candles are also symbolic of intellect, enlightenment, awareness or the search for truth.

To see an unlit candle, denotes feelings of rejection or disappointments. You are not utilizing your fullest potential. If you try to light the candle, but it won't light, then it represents grief. You are in denial about something.

To see a candle blow out in your dream, indicates that you are surrendering a significant aspect of yourself. You are letting go of something that used to be important to you.

To watch the candle burn down to nothing in your dream, signifies your fears of aging and dying. Alternatively, it represents a fear of sexual impotence.

To see a red colored candle in your dream, symbolizes some intimate or romantic relationship. You may not be giving the relationship a fair chance and are dismissing it before you invested sufficient time to learn more about the other person. On the other hand, you may just not be feeling any chemistry or passion.

Seeing a burning candle in your dream means that good luck and hope will be coming your way in small and steady amounts. You are in a comfortable stage in your life and may be seeking spiritual enlightenment. Lit candles are also symbolic of intellect, enlightenment, awareness or the search for truth. Seeing an unlit candle means that you have feelings or rejection or disappointments. You are not utilizing your fullest potential. Seeing a candle blow out in your dream indicates that you are surrendering a significant aspect of yourself. You are letting go of something that used to be important to you. To watch the candle burn down to nothing in your dream means your fears of aging and dying or a fear of sexual impotence. Seeing a red colored candle in your dream, symbolizes some intimate or romantic relationship. You may not be giving the relationship a fair chance and are dismissing it before you invested time to learn more about the other person. On the other hand, you may just not be feeling any chemistry or passion.

Light, traditionally, is equated with the spirit (9). Ely Star asserts that
the superiority of the spirit is immediately recognizable by its luminous intensity. Light is the manifestation of morality, of the intellect and the seven virtues
(54). Its whiteness alludes to just such a synthesis of the All. Light of any given
colour possesses a symbolism corresponding to that colour, plus the significance
of emanation from the ‘Centre’, for light is also the creative force, cosmic energy irradiation (57). Symbolically, illumination comes from the East. Psychologically
speaking, to become illuminated is to become aware of a source of light, and, in
consequence, of spiritual strength (32).

To see light in your dream, represents illumination, clarity, guidance, plain understanding, and insight. Light is being shed on a once cloudy situation or problem. You have found the truth to a situation or an answer to a problem. Also consider the color of the light for additional significance.

If the light is particularly bright, then it indicates that you need to move toward a higher level of awareness and feeling. Bright light dreams are sometimes common for those who are near death.

To see soft or shadowy lighting in your dreams, indicates feelings and thoughts from the primal aspects and less developed parts of your unconscious.

To dream that you cannot turn on the light, indicates a lack of insight and perspective on a situation.

If you dream of light, success will attend you. To dream of weird light, or if the light goes out, you will be disagreeably surprised by some undertaking resulting in nothing.

To see a dim light, indicates partial success.

To dream of lights is very good. It denotes riches and honour.

Seeing light in your dream indicates a clear mind, plain understanding, and insight. Light has been shed on a once cloudy situation or problem. You have found the truth to a situation or an answer to a problem. Seeing a bright light in your dream indicates that you need to move toward a higher level of awareness and feeling. Bright light dreams are sometimes common for those who are near death.

An architectonic structure, apparently aimless, and of a pattern
so complex that, once inside, it is impossible or very difficult to escape. Or it may
take the form of a garden similarly patterned. Ancient writings mention five great
mazes: that of Egypt, which Pliny located in lake Moeris; the two Cretan labyrinths of Cnossus (or Gnossus) and Gortyna; the Greek maze on the island of
Lemnos; and the Etruscan at Clusium. It is likely that certain initiatory temples
were labyrinthine in construction for doctrinal reasons. Ground-plans, sketches
and emblems of mazes appear fairly frequently over a very wide area, but principally in Asia and Europe. Some are believed to have been conceived with the
purpose of luring devils into them so that they might never escape. It is to be
supposed, therefore, that, for the Primitive, the maze had a certain fascination
comparable with the abyss, the whirlpool and other phenomena (8). Nevertheless, Waldemar Fenn suggests that some circular or elliptical labyrinths in prehistoric engravings—those at Peña de Mogor, for example—should be interpreted as
diagrams of heaven, that is, as images of the apparent motions of the astral bodies. This notion is not opposed to the previous one: it is independent of it and, up to
a point, complementary, because the terrestrial maze, as a structure or a pattern,
is capable of reproducing the celestial, and because both allude to the same basic
idea—the loss of the spirit in the process of creation—that is, the ‘fall’ in the
neoplatonic sense—and the consequent need to seek out the way through the
‘Centre’, back to the spirit. There is an illustration in De Groene Leeuw, by
Goosse van Wreeswyk (Amsterdam, 1672), which depicts the sanctuary of the
alchemists’ lapis, encircled by the orbits of the planets, as walls, suggesting in this
way a cosmic labyrinth (32). The emblem of the labyrinth was widely used by mediaeval architects. To trace through the labyrinthic path of a mosaic patterned
on the ground was once considered a symbolic substitute for a pilgrimage to the
Holy Land (28). Some labyrinths shaped like a cross, known in Italy as ‘Solomon’s
knot’, and featured in Celtic, Germanic and Romanesque decoration, are a synthesis of the dual symbolism of the cross and the labyrinth; they are known, for this
reason, as the ‘emblem of divine inscrutability’. It is not difficult to make out, in
the centre of the pattern, the figure of the swastika, which adds to the basic
symbolism a suggestion of rotating, generating and unifying motion (4). For Diel,
the maze signifies the unconscious, and also error and remoteness from the fount
of life (15). Eliade notes that the essential mission of the maze was to defend the
‘Centre’—that it was, in fact, an initiation into sanctity, immortality and absolute
reality and, as such, equivalent to other ‘trials’ such as the fight with the dragon.
At the same time, the labyrinth may be interpreted as an apprenticeship for the
neophyte who would learn to distinguish the proper path leading to the Land of
the Dead (17).

To see or dream that you are in a labyrinth, indicates your desires to get to the center of some issue or problem. Alternatively, it suggests that you are feeling trapped in some situation. You feel lost and that there is no way out.

If you dream of a labyrinth, you will find yourself entangled in intricate and perplexing business conditions, and your wife will make the home environment intolerable; children and sweethearts will prove ill-tempered and unattractive.

If you are in a labyrinth of night or darkness, it foretells passing, but agonizing sickness and trouble.

A labyrinth of green vines and timbers, denotes unexpected happiness from what was seemingly a cause for loss and despair.

In a network, or labyrinth of railroads, assures you of long and tedious journeys. Interesting people will be met, but no financial success will aid you on these journeys.

Seeing a labyrinth in your dream means that you will be involved with my complicated situations where your domestic sphere will be quite intolerable. Dreaming that you are in a labyrinth of green vines and timber means an unexpected turn of happiness where despair and loss was anticipated. Dreaming that you are in a labyrinth of night or darkness indicates bitter trouble and sickness.

The tree is one of the most essential of traditional symbols. Very often
the symbolic tree is of no particular genus, although some peoples have singled
out one species as exemplifying par excellence the generic qualities. Thus, the oak
was sacred to the Celts; the ash to the Scandinavian peoples; the lime-tree in Germany; the fig-tree in India. Mythological associations between gods and trees
are extremely frequent: so, Attis and the pine; Osiris and the cedar; Jupiter and
the oak; Apollo and the laurel, etc. They express a kind of ‘elective correspondence’ (26, 17). In its most general sense, the symbolism of the tree denotes the
life of the cosmos: its consistence, growth, proliferation, generative and regenerative processes. It stands for inexhaustible life, and is therefore equivalent to a
symbol of immortality. According to Eliade, the concept of ‘life without death’
stands, ontologically speaking, for ‘absolute reality’ and, consequently, the tree
becomes a symbol of this absolute reality, that is, of the centre of the world.
Because a tree has a long, vertical shape, the centre-of-the-world symbolism is
expressed in terms of a world-axis (17). The tree, with its roots underground and
its branches rising to the sky, symbolizes an upward trend (3) and is therefore
related to other symbols, such as the ladder and the mountain, which stand for the
general relationship between the ‘three worlds’ (the lower world: the underworld,
hell; the middle world: earth; the upper world: heaven). Christian symbolism—
and especially Romanesque art—is fully aware of the primary significance of the
tree as an axis linking different worlds (14). According to Rabanus Maurus,
however, in his Allegoriae in Sacram Scripturam (46), it also symbolizes human
nature (which follows from the equation of the macrocosm with the microcosm).
The tree also corresponds to the Cross of Redemption and the Cross is often
depicted, in Christian iconography, as the Tree of Life (17). It is, of course, the
vertical arm of the Cross which is identified with the tree, and hence with the
‘world-axis’. The world-axis symbolism (which goes back to pre-Neolithic times)
has a further symbolic implication: that of the central point in the cosmos. Clearly,
the tree (or the cross) can only be the axis linking the three worlds if it stands in
the centre of the cosmos they constitute. It is interesting to note that the three
worlds of tree-symbolism reflect the three main portions of the structure of the
tree: roots, trunk and foliage. Within the general significance of the tree as worldaxis and as a symbol of the inexhaustible life-process (growth and development),
different mythologies and folklores distinguish three or four different shades of
meaning. Some of these are merely aspects of the basic symbolism, but others are
of a subtlety which gives further enrichment to the symbol. At the most primitive
level, there are the ‘Tree of Life’ and the ‘Tree of Death’ (35), rather than, as in
later stages, the cosmic tree and the tree of the knowledge of Good and Evil; but
the two trees are merely two different representations of the same idea. The
arbor vitae is found frequently, in a variety of forms, in Eastern art. The—
apparently purely decorative—motif of hom (the central tree), placed between
two fabulous beings or two animals facing each other, is a theme of Mesopotamian origin, brought both to the West and to the Far East by Persians, Arabs and
Byzantines (6). In Romanesque decoration it is the labyrinthine foliage of the
Tree of Life which receives most emphasis (the symbolic meaning remaining
unchanged, but with the addition of the theme of Entanglement) (46). An important point in connexion with the ‘cosmic tree’ symbol is that it often appears
upside down, with its roots in heaven and its foliage on earth; here, the natural
symbolism based on the analogy with actual trees has been displaced by a meaning expressing the idea of involution, as derived from the doctrines of emanation:
namely, that every process of physical growth is a spiritual opus in reverse.
Thus, Blavatsky says: ‘In the beginning, its roots were generated in Heaven, and
grew out of the Rootless Root of all-being. . . . Its trunk grew and developed,
crossing the plains of Pleroma, it shot out crossways its luxuriant branches, first
on the plane of hardly differentiated matter, and then downward till they touched
the terrestrial plane. Thus . . . (it) is said to grow with its roots above and its
branches below’ (9). This concept is already found in the Upanishads, where it is
said that the branches of the tree are: ether, air, fire, water and earth. In the Zohar
of Hebrew tradition it is also stated that ‘the Tree of Life spreads downwards
from above, and is entirely bathed in the light of the sun’. Dante, too, portrays the
pattern of the celestial spheres as the foliage of a tree whose roots (i.e. origin)
spread upwards (Uranus). In other traditions, on the other hand, no such inversion occurs, and this symbolic aspect gives way to the symbolism of vertical
upward growth. In Nordic mythology, the cosmic tree, called Yggdrasil, sends its
roots down into the very core of the earth, where hell lies (Völuspâ, 19;
Grimnismâl, 31) (17).
We can next consider the two-tree symbolism in the Bible. In Paradise there
were the Tree of Life and the tree of the knowledge of good and evil. Both were
centrally placed in the Garden of Eden. In this connexion, Schneider says (50):
‘Why does God not mention the Tree of Life to Adam? Is it because it was a
second tree of knowledge or is it because it was hidden from the sight of Adam
until he came to recognize it with his new-found knowledge of good and evil—of
wisdom? We prefer the latter hypothesis. The Tree of Life, once discovered, can
confer immortality; but to discover it is not easy. It is “hidden”, like the herb of
immortality which Gilgamesh seeks at the bottom of the sea, or is guarded by
monsters, like the golden apples of the Hesperides. The two trees occur more
frequently than might be expected. At the East gate of the Babylonian heaven, for
instance, there grew the Tree of Truth and the Tree of Life.’ The doubling of the
tree does not modify the symbol’s fundamental significance, but it does add
further symbolic implications connected with the dual nature of the Gemini: the tree, under the influence of the symbolism of the number two, then reflects the
parallel worlds of living and knowing (the Tree of Life and the Tree of Knowledge). As is often the case with symbols, many more specialized meanings have
been developed on the basis of the general tree-symbolism already outlined. Here
are a few: firstly, the triple tree. According to Schneider, the Tree of Life, when it
rises no higher than the mountain of Mars (the world of phenomena) is regarded
as a pillar supporting heaven. It is made up of three roots and three trunks—or
rather one central trunk with two large boughs corresponding to the two peaks of
the mountain of Mars (the two faces of Janus). Here the central trunk or axis
unifies the dualism expressed in the two-tree symbolism. In its lunar aspect, it is
the Tree of Life and emphasizes the moon’s identification with the realm of
phenomena; in its solar aspect it relates to knowledge and death (which, in symbolism, are often associated). In iconography, the Tree of Life (or the lunar side of
a double or triple tree) is depicted in bloom; the tree of death or knowledge (or the
solar side of a double or triple tree) is dry, and shows signs of fire (50). Psychology has interpreted this symbolic duality in sexual terms, Jung affirming that the
tree has a symbolic, bisexual nature, as can also be seen in the fact that, in Latin,
the endings of the names of trees are masculine even though their gender is
feminine (31). This conjunctio confirms the unifying significance of the cosmic
tree. Other symbols are often brought into association with the tree, sometimes
by analogy with real situations, sometimes through the juxtaposition of psychic
images and projections. The resulting composite symbolism is, of course, richer
and more complex, but also more specific, and consequently less spontaneous
and of less scope. The tree is frequently related to the rock or the mountain on
which it grows. On the other hand, the Tree of Life, as found in the celestial
Jerusalem, bears twelve fruits, or sun-shapes (symbols of the Zodiac, perhaps).
In many images, the sun, the moon and the stars are associated with the tree, thus
stressing its cosmic and astral character. In India we find a triple tree, with three
suns, the image of the Trimurti; and in China a tree with the twelve suns of the
Zodiac (25). In alchemy, a tree with moons denotes the lunar opus (the Lesser
Work) and the tree with suns the solar opus (the Great Work). The tree with the
signs of the seven planets (or metals) stands for prime matter (protohyle), from
which all differentiations emerge. Again, in alchemy, the Tree of Knowledge is
called arbor philosophica (a symbol of evolution, or of the growth of an idea, a
vocation or a force). ‘To plant the philosophers’ tree’ is tantamount to stimulating the creative imagination (32). Another interesting symbol is that of the ‘seatree’ or coral, related to the mythic sea king. The fountain, the dragon and the
snake are also frequently related to the tree. Symbol LVII of Bosch’s Ars Symbolica shows the dragon beside the tree of the Hesperides. As regards the symbolism of
levels, it is possible to establish a vertical scale of analogies: dragons and snakes
(primal forces) are associated with the roots; the lion, the unicorn, the stag and
other animals expressing the ideas of elevation, aggression and penetration, correspond to the trunk; and birds and heavenly bodies are brought into relation with
the foliage. Colour correspondences, are: roots/black; trunk/white; foliage/red.
The snake coiled round the tree introduces another symbol, that of the spiral. The
tree as world-axis is surrounded by the sequence of cycles which characterizes
the revealed world. This is an interpretation applicable to the serpent watching at
the foot of the tree on which the Golden Fleece is suspended (25). Endless
instances could be quoted of such associations of symbols, full of psychological
implications. Another typical combination of symbols, extremely frequent in
folktales, is that of the ‘singing tree’. In the Passio S. Perpetuae XI (Cambridge,
1891) we read that St. Saturius, a martyr alongside St. Perpetua, dreamed on the
eve of his martyrdom ‘that, having shed his mortal flesh, he was carried eastward
by four angels. Going up a gentle slope, they reached a spot bathed in the most
beautiful light: it was Paradise opening before us’, he adds, ‘like a garden, with
trees bearing roses and many other flower-blooms; trees tall as cypresses, singing
the while’ (46). The sacrificial stake, the harp-lyre, the ship-of-death and the
drum are all symbols derived from the tree seen as the path leading to the other
world (50) (Plate XXIX). Gershom G. Scholem, in Les Origines de la Kabbale,
speaks of the symbolism of the tree in connexion with hierarchical, vertical structures (such as the ‘sefirothic tree’ of the Cabbala, a theme that we cannot develop
here). He asks himself whether the ‘tree of Porphyry’, which was a widespread
symbol during the Middle Ages, was of a similar nature. In any case, it is reminiscent of the Arbor elementalis of Raymond Lull (1295), whose trunk symbolizes
the primordial substance of Creation, or hyle, and whose branches and leaves
represent its nine accidents. The figure ten has the same connotation as in the
sefiroth, the ‘sum of all the real which can be determined by numbers’.

The tree in your dream is you. The health, size and overall quality of the tree is indicative of how you feel about yourself. This interpretation is to be made only when the tree is the focal point of the dream. Also, consider whether the tree is alive with leaves, flowers or fruit, or if it's barren. You may see trees in your dream as a part of a landscape or as a secondary symbol. At those times, consider all of the details as they may have different interpretations than the one just given.

To dream of trees in new foliage, foretells a happy consummation of hopes and desires. Dead trees signal sorrow and loss.

To climb a tree is a sign of swift elevation and preferment.

To cut one down, or pull it up by the roots, denotes that you will waste your energies and wealth foolishly.

To see green tress newly felled, portends unhappiness coming unexpectedly upon scenes of enjoyment, or prosperity.

To see lush green trees in your dream, symbolize new hopes, growth, desires, knowledge, and life. It also implies strength, protection and stability. You are concentrating on your own self-development and individuation.

To dream that you are climbing a tree, signifies achievement of your career goals and attainment of higher positions in life. The speed at which you climb the tree will parallel the speed of your achievement of these goals.

To dream that you chop or cut down a tree, indicates that you are wasting your energy, time, and money on foolish pursuits. Alternatively, the dream may be a comment on your sexual fear or guilt.

To see a falling tree in your dream, means that you are feeling off balance and out of sync. Perhaps, you are off track and headed in the wrong direction.

To see a withered or dead tree in your dream, indicates that your hopes and desires have been dashed. You are experiencing some instability and setback in your life. Alternatively, the dead tree represents infertility or a lack of virility. Perhaps it signal an end to a familial line (as in a family tree).

To see bare trees in your dream, indicate used up energy. You have put your all into some relationship or project and now you are exhausted. Perhaps you are even feeling depressed. Alternatively, the dream signifies the cycle of life or the passage of time.

To see crows perched on the dead tree, symbolizes the end of some cycle or behavior. It is representative of death.

Seeing lush green trees in your dream, symbolizes new hopes, growth and desires. It also implies strength and stability. You are concentrating on your own self-development and individuation. Dreaming that you are climbing a tree means that you will achieve your career goals and reach those high places in society. The degree of difficulty to which you climb the tree will measure the speed of your achievement of these goals Dreaming that you cut down a tree means that you are wasting your energy, time, and money on foolish pursuits. Seeing a falling tree in your dream indicates that you are off balance and out of sync. You are off track and headed in the wrong direction.

To see or do a jigsaw puzzle in your dream, represents a mental challenge or problem that you need to solve in your waking life. If there are pieces missing in the puzzle, then it suggest that you do not have all the facts needed to make an informed decision.

To see or do a crossword puzzle in your dream, suggests that you are being faced with a mental challenge. The dream may be a pun on "cross words" directed at you or aimed toward someone.

Seeing a jigsaw puzzle in your dream, represents a mental challenge or a problem in your waking life that you need to solve. If there are pieces missing in the puzzle, then it suggests that you do not have all the facts in order to make a good and sound decision. Seeing or doing a crossword puzzle, suggests that you are being faced with a mental challenge. The dream may be a pun on "cross words" directed at your or aimed toward someone.