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Om symbol hidden in sound?

Night of February 4, 2014. Tuesday.

Being meticulous in my dream state at times, sometimes to the point of over-thinking in several layers at once, I verified something that caught me by surprise in a sort of sudden realization. While working on the foundation of a new track which I do plan on eventually finishing, I ended up confirming a dream concept to an extent, anyway. By chance, I used a filter that produces a supposed “swirly” effect - and in this case, I am not even sure if it uses the source audio when rendering, as it mostly sounds the same in every case for a particular setting regardless of the supposed source (then again, it depends on the perimeters or intent of the effect). I say this because some functions do use the source audio for certain - which can vary to quite an extreme - yet always sounds the same in each case, or at least hard to distinguish.

In this case I was playing with an effects VST for no intended reasons other than to see the images that were produced by the frequency bands at different speeds and pitches and such, and by which I integrated the first 1.71 seconds of the audio of the hybrid dubstep foundation. What resulted verified my dream - that is, the image that almost looks like an om symbol repeating throughout. This is not a very good image of what actually comes out, though, I wanted to post a better image - but its difficult when being in lower formats. It is also true that an image of a word or symbol can be deliberately translated into sound, but such does not seem the case here, as the perimeters are far too extensive for me to have just coincidentally put in the perimeters that just happened to make the symbol appear - there are 362,880 variations relating to “shaping” forms in this particular way - as well as the functions being programmed rather than stored as audio information as with some VSTs. (This is true and can be verified by the fact that the editor is one hundred percent manual with no additional waveforms or audio information stored anywhere - therefore the om symbol was not intended at all by the original programmer who could not have possibly known all the thousands of potential variations in settings - unless he knew the actual functions for it and buried it among thousands of other potentials - which, frankly, seems unlikely and unrealistic, even a bit unreasonable and pointless, though not impossible).

However, and it is a very big “however”, it seems that the function actually did use the source audio here upon realistic examination - and it is fairly obvious that it did from the visual details in some areas. In that case, there is no way the programmer could have known what would result in this instance. The missing bands in the larger image near the higher ranges are not my mistake, but it was like this in the original percussive track. I used an exciter to make it less problematic as well as having to additionally notch out more bands from horrid metallic “ringing” in the original audio that threw off the average dB (spike-wise) in a rather ridiculous way as I have seen a lot in tracks on the Internet.

I do know of so-called producer packs with deliberate images in the sound (although it is fairly rare), but this was not the case as, again, it is an effect-only manifestation. Obviously, the majority of people would not even “hear” the om symbol image, as unless you are familiar with something like this, it might as well not even exist. This is obviously true even for dreams for millions of people, who remember nothing in many cases.

I inset the actual om symbol for comparison - but as I said, this image is not all that precise or even very visible - as it is a lower resolution with a different rate and detail than the original event (which I did not try to duplicate until today - so probably “lost” a perimeter somewhere).

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