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"Route to Death"

Morning of April 4, 1975. Friday.

Stanley Livingston, some sort of explorer (relative to my dream, fictional, but more likely influenced by the actor name) and more-so an archaeologist, is traveling in an “unexplored” land (with at least four other people including myself), which, in my dream, happens to be the area behind the large shed of my Cubitis home and near the railroad tracks, but on the eastern side of the tracks. The area is a bit different. (I guess my dreams were “low budget” on location expenses, ha.) I am traveling with him, but mostly as a seeming secondary character of no real significance or influence.

Instead of the railroad tracks, there is a shallow river in that area in my dream (an interesting changeover, I think) running south to north. Stanley finds several unusually shaped stones with interesting textures. Over time, he concludes that they show signs of being some sort of “message”, as they have tool marks, although one person says they are some sort of arrowhead.

Oddly enough, Stanley determines that each stone is about half a letter of the English alphabet (as seemingly some edges perfectly fit together), although one seems like a complete uppercase letter “E”. A member of the team says that it is probably the remaining part of a fork-like tool, as it has a hole in the main stem that indicates it could have been used as a sort of fork if a stick had been inserted.

Stanley insists that the stones were left there for him to purposely find. He arranges the stones in order from color variation and size somehow. It turns out that they seem to spell “HELP”. He then feels it is the duty of the exploration team to cross the river and find the person or persons in need of help.

Eventually, we are confronted by menacing creatures on horseback that resemble the gorillas in the original “Planet of the Apes” movies. Their clothing looks like that from “Planet of the Apes” as well. They are angry that we are in the “forbidden zone”, which was supposedly why the stones were placed there (which had since shifted from the forces of the river and erosion) - the original pattern being “HELL”. They take us to some sort of building that looks like an old abandoned warehouse but not much happens after that.

Notes: Uses aspects that had been features in several other dreams; mainly the explorer or archaeologist in the beige safari outfit in the backyard - and the concept of the area near the railroad tracks (especially more easterly) being “forbidden” (as with the giant horse dream). Other plays in this could be related to “living stone” and “Chip Douglas” (as in “chipped” rock).

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