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Rocking Horse Epilogue

Morning of January 16, 2015. Friday.

In the first scene in my dream, I end up fishing near an isolated boathouse (east of where I am) for a short time, and I get the impression it is near the Black River in La Crosse (though I have not fished there in over twenty years). It is not really my intention to fish at first, and I am aware that I do not have a fishing license, but I discover that I have a fishing rod so I decide to try it to see if anything happens. There is already a larger treble hook on the line with no bait. Even though there is no bait, I lower the line close to the wharf into the murky water. I am hoping no one else shows up, especially if I catch a fish. After vividly (and accurately) feeling movement related to the line, I realize that the hook may become snagged on man-made debris or aquatic plants. Such is the case the first couple of times I feel tugs when reeling back in, but then there is an obvious weight pulling and moving the line for a time. At first I think it may be a large, perhaps even dangerous fish, but It turns out to only be a bluegill and I lift it up out of the water fairly quickly.

I am soon more clearly aware of being bilocated in the kitchen on Loomis Street and the specific area I had been fishing in is bilocated with the Loomis Street bathroom, near the bathtub, but in a very subtle "invisible" sense for the most part, other than the kitchen features being more in view at one point. I am mostly also still outside on a wharf fishing in the river. My wife walks into the kitchen aka wharf (more specifically - an ambiguous composite perspective of being indoors and outdoors at the same time but quite common in my dreams since earliest memory) and I say to her, "look at this" with the idea that I could catch more fish and - as I am already in the kitchen - could just clean them as I catch them for a meal later on. However, due to the ambiguity of the bilocated features, I decide to throw the fish back (even though I sense it will not live) in case a game warden shows up on the wharf.

After I pull the hook out of the fish's gills (where it was mostly snagged) with very well-rendered aspects at this point (including sense of touch), and throw it back, my dream shifts into a completely different scenario...

It is related to a dark-haired male that had recently graduated from high school, though there are several other unknown people around. This is a fictional tulpa-like character and persona that my subconscious mind created (from scratch) in the 1980s, named Alan T. Another character, also tulpa-based, yet somewhat reminiscent of Christian Slater, is another relevant character. From here, my dream begins to make fun of the incomprehensibly stupid idea "your mind cannot create new people". I find this interesting since it follows the other dream scene relative to a real-life event where a fabricated charge of fishing without a license was given when I was younger (the officer actually took my valid license to hide it in an attempt to make it look like I did not have one, but then decided to give it back when I mentioned my brother-in-law was the other male in the area - though his report had already been fabricated as such and appeared as such - "fishing without a license" - in court). I think this combined set of dream scenes (at least to this point) has to do with the fact that much of mainstream society has no credibility or validity in what they say or believe, especially certain forms of "let's just randomly fill-in-the-blanks" authority. My real-life false arrest was mostly to meet a quota (I even heard them talking about this from another room at the time) - and is in complete contrast to extremely naïve people who believe you have to do something wrong to be arrested or go to jail. I pleaded "no contest", meaning "guilty" (relevant to time already served in this case - only because my brother-in-law was ready to go to the newspaper and expose them if I was not released) for a false charge based on a nonexistent event and fabricated report - and it is my strong belief (again, based on experience) that this probably happens all the time but no one really says or does anything.

In my dream, Alan seems concerned over why he cannot remember Eddie (the other tulpa). This is something to do with a wampum belt being similar to rosary beads in trying to recover lost memories. The scene "resets" and repeats at least once. I talk to the tulpa Alan, asking if his name is Alan, and he says yes. He seems suspicious of his own past and the idea of "fictional people" (even though I am not lucid or focused on the idea of dreaming of fictional characters). Eddie seems to find this all amusing and actually seems aware of my dream's "reset" and repeat of meeting Alan, though Alan does not remember what had just happened minutes ago. Eventually, the scenario loses cohesion and the scene shifts completely again.

Kenny and Karen's house in Florida is now in Wisconsin and about four houses south of my sister's old home on Loomis Street. I look inside through the front door and note that Kenny and Karen are not living there. Instead, there are two unknown people; male and female. The unknown male is sitting on an armchair facing the open front door. An unknown girl rides by on a bicycle, heading south. I call out to her ("hey") and mentally "demand" she joins me (though I do not know her name). She gets off her bicycle and approaches me but then soon goes into the house with the other unknown people. More new fictional people show up. An older very unusual-looking lady hugs me. Her hips are too far apart to be those of a real human being and she is otherwise apparently skinny. Even though I am not lucid, a residual conscious thought is present for a short time and that is...the idea "your mind cannot create new people" is far more absurd every time you hear it, almost "snowballing" (exponentially) in its stupidity. This is especially true in that people's features in dreams are sometimes completely unlike actual human beings (not quite "alien" in many cases, but too unusual to be linked to real human faces - like many other surreal aspects of dreams). My wife is eventually with me. I am soon with the rest of my family and the unknown people, of whom there are about a dozen or so standing near the road in some sort of outdoor neighborhood party, perhaps.

At this point, a large rocking horse appears in the street. This seems to be some sort of untimely catalyst of some kind. My dream shifts into its most unusual stage. I get on the rocking horse (being fully aware of my present age; an atypical perspective oddly enough) and sit comfortably as it speeds down the street (without wheels of any kind) while rocking very slowly at the same time. I enjoy the feeling of incredible horizontal speed as well as the simultaneous quite slow rocking back and forth. It is almost like a trip to my "final destination" (likely due to an extreme dehydration and hyperventilation event, due to me being stupid just a couple of days ago - when I thought that was "the end" for me and I almost collapsed in the street - coincidentally, my wife's closest friend's husband did collapse in the street elsewhere, though actually died). During this time, the sky above plays a loud and dramatic fictional instrumental version (like the Henry Mancini version but about twice as fast and with deeper, louder strings in the lead) of "Windmills of Your Mind". (This song - the original version - always sounded "wrong" to me due to the slower speed relative to the contrast of its otherwise torrent-like melody, but I still came to like it. When I performed it on organ or accordion, I did play it much faster.)

I ride the rocking horse up and down the same street (turning back upon arriving at the Loomis and Gillette intersection each time) about six times.

I eventually stop and get off where I started from, and meet with my wife again, who is now a teenager. I notice that my clothes are uncomfortably filled with dusty heavy gravel from the street (even though it is an urban paved street in reality). Gravel in my clothes is possibly a play on "grave".

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