I am jumping from tree to tree wildly and free. I am moving so fast and gracefully through these massive pine trees. I’m at the top of the pine tree and I look out into a magnificent star covered sky and I can see the moon big and bright and it’s pulling me in. I can see its reflection on the large lake beneath me. I howl loudly… I realize that I am part wolf.
I make it down the tree to a small stream coming off of the lake and I immerse myself in it. All around me are rocks piled in formations so delicate and perfect. Over by a tree ahead of me I see a man sitting in lotus position, I believe he is mediating. I slowly slither myself out of the water onto land shedding my wolf body for my human body. I continue walking on all fours fully naked walking towards him in this prowling type of movement. Our eyes are locked, I’m now close enough to touch him and he lets me walk right on top of him, I'm completely on top of him and he wraps his arms around me and we share a warm embrace, I feel safe... I feel at home.
The tree is one of the most essential of traditional symbols. Very often
the symbolic tree is of no particular genus, although some peoples have singled
out one species as exemplifying par excellence the generic qualities. Thus, the oak
was sacred to the Celts; the ash to the Scandinavian peoples; the lime-tree in Germany; the fig-tree in India. Mythological associations between gods and trees
are extremely frequent: so, Attis and the pine; Osiris and the cedar; Jupiter and
the oak; Apollo and the laurel, etc. They express a kind of ‘elective correspondence’ (26, 17). In its most general sense, the symbolism of the tree denotes the
life of the cosmos: its consistence, growth, proliferation, generative and regenerative processes. It stands for inexhaustible life, and is therefore equivalent to a
symbol of immortality. According to Eliade, the concept of ‘life without death’
stands, ontologically speaking, for ‘absolute reality’ and, consequently, the tree
becomes a symbol of this absolute reality, that is, of the centre of the world.
Because a tree has a long, vertical shape, the centre-of-the-world symbolism is
expressed in terms of a world-axis (17). The tree, with its roots underground and
its branches rising to the sky, symbolizes an upward trend (3) and is therefore
related to other symbols, such as the ladder and the mountain, which stand for the
general relationship between the ‘three worlds’ (the lower world: the underworld,
hell; the middle world: earth; the upper world: heaven). Christian symbolism—
and especially Romanesque art—is fully aware of the primary significance of the
tree as an axis linking different worlds (14). According to Rabanus Maurus,
however, in his Allegoriae in Sacram Scripturam (46), it also symbolizes human
nature (which follows from the equation of the macrocosm with the microcosm).
The tree also corresponds to the Cross of Redemption and the Cross is often
depicted, in Christian iconography, as the Tree of Life (17). It is, of course, the
vertical arm of the Cross which is identified with the tree, and hence with the
‘world-axis’. The world-axis symbolism (which goes back to pre-Neolithic times)
has a further symbolic implication: that of the central point in the cosmos. Clearly,
the tree (or the cross) can only be the axis linking the three worlds if it stands in
the centre of the cosmos they constitute. It is interesting to note that the three
worlds of tree-symbolism reflect the three main portions of the structure of the
tree: roots, trunk and foliage. Within the general significance of the tree as worldaxis and as a symbol of the inexhaustible life-process (growth and development),
different mythologies and folklores distinguish three or four different shades of
meaning. Some of these are merely aspects of the basic symbolism, but others are
of a subtlety which gives further enrichment to the symbol. At the most primitive
level, there are the ‘Tree of Life’ and the ‘Tree of Death’ (35), rather than, as in
later stages, the cosmic tree and the tree of the knowledge of Good and Evil; but
the two trees are merely two different representations of the same idea. The
arbor vitae is found frequently, in a variety of forms, in Eastern art. The—
apparently purely decorative—motif of hom (the central tree), placed between
two fabulous beings or two animals facing each other, is a theme of Mesopotamian origin, brought both to the West and to the Far East by Persians, Arabs and
Byzantines (6). In Romanesque decoration it is the labyrinthine foliage of the
Tree of Life which receives most emphasis (the symbolic meaning remaining
unchanged, but with the addition of the theme of Entanglement) (46). An important point in connexion with the ‘cosmic tree’ symbol is that it often appears
upside down, with its roots in heaven and its foliage on earth; here, the natural
symbolism based on the analogy with actual trees has been displaced by a meaning expressing the idea of involution, as derived from the doctrines of emanation:
namely, that every process of physical growth is a spiritual opus in reverse.
Thus, Blavatsky says: ‘In the beginning, its roots were generated in Heaven, and
grew out of the Rootless Root of all-being. . . . Its trunk grew and developed,
crossing the plains of Pleroma, it shot out crossways its luxuriant branches, first
on the plane of hardly differentiated matter, and then downward till they touched
the terrestrial plane. Thus . . . (it) is said to grow with its roots above and its
branches below’ (9). This concept is already found in the Upanishads, where it is
said that the branches of the tree are: ether, air, fire, water and earth. In the Zohar
of Hebrew tradition it is also stated that ‘the Tree of Life spreads downwards
from above, and is entirely bathed in the light of the sun’. Dante, too, portrays the
pattern of the celestial spheres as the foliage of a tree whose roots (i.e. origin)
spread upwards (Uranus). In other traditions, on the other hand, no such inversion occurs, and this symbolic aspect gives way to the symbolism of vertical
upward growth. In Nordic mythology, the cosmic tree, called Yggdrasil, sends its
roots down into the very core of the earth, where hell lies (Völuspâ, 19;
Grimnismâl, 31) (17).
We can next consider the two-tree symbolism in the Bible. In Paradise there
were the Tree of Life and the tree of the knowledge of good and evil. Both were
centrally placed in the Garden of Eden. In this connexion, Schneider says (50):
‘Why does God not mention the Tree of Life to Adam? Is it because it was a
second tree of knowledge or is it because it was hidden from the sight of Adam
until he came to recognize it with his new-found knowledge of good and evil—of
wisdom? We prefer the latter hypothesis. The Tree of Life, once discovered, can
confer immortality; but to discover it is not easy. It is “hidden”, like the herb of
immortality which Gilgamesh seeks at the bottom of the sea, or is guarded by
monsters, like the golden apples of the Hesperides. The two trees occur more
frequently than might be expected. At the East gate of the Babylonian heaven, for
instance, there grew the Tree of Truth and the Tree of Life.’ The doubling of the
tree does not modify the symbol’s fundamental significance, but it does add
further symbolic implications connected with the dual nature of the Gemini: the tree, under the influence of the symbolism of the number two, then reflects the
parallel worlds of living and knowing (the Tree of Life and the Tree of Knowledge). As is often the case with symbols, many more specialized meanings have
been developed on the basis of the general tree-symbolism already outlined. Here
are a few: firstly, the triple tree. According to Schneider, the Tree of Life, when it
rises no higher than the mountain of Mars (the world of phenomena) is regarded
as a pillar supporting heaven. It is made up of three roots and three trunks—or
rather one central trunk with two large boughs corresponding to the two peaks of
the mountain of Mars (the two faces of Janus). Here the central trunk or axis
unifies the dualism expressed in the two-tree symbolism. In its lunar aspect, it is
the Tree of Life and emphasizes the moon’s identification with the realm of
phenomena; in its solar aspect it relates to knowledge and death (which, in symbolism, are often associated). In iconography, the Tree of Life (or the lunar side of
a double or triple tree) is depicted in bloom; the tree of death or knowledge (or the
solar side of a double or triple tree) is dry, and shows signs of fire (50). Psychology has interpreted this symbolic duality in sexual terms, Jung affirming that the
tree has a symbolic, bisexual nature, as can also be seen in the fact that, in Latin,
the endings of the names of trees are masculine even though their gender is
feminine (31). This conjunctio confirms the unifying significance of the cosmic
tree. Other symbols are often brought into association with the tree, sometimes
by analogy with real situations, sometimes through the juxtaposition of psychic
images and projections. The resulting composite symbolism is, of course, richer
and more complex, but also more specific, and consequently less spontaneous
and of less scope. The tree is frequently related to the rock or the mountain on
which it grows. On the other hand, the Tree of Life, as found in the celestial
Jerusalem, bears twelve fruits, or sun-shapes (symbols of the Zodiac, perhaps).
In many images, the sun, the moon and the stars are associated with the tree, thus
stressing its cosmic and astral character. In India we find a triple tree, with three
suns, the image of the Trimurti; and in China a tree with the twelve suns of the
Zodiac (25). In alchemy, a tree with moons denotes the lunar opus (the Lesser
Work) and the tree with suns the solar opus (the Great Work). The tree with the
signs of the seven planets (or metals) stands for prime matter (protohyle), from
which all differentiations emerge. Again, in alchemy, the Tree of Knowledge is
called arbor philosophica (a symbol of evolution, or of the growth of an idea, a
vocation or a force). ‘To plant the philosophers’ tree’ is tantamount to stimulating the creative imagination (32). Another interesting symbol is that of the ‘seatree’ or coral, related to the mythic sea king. The fountain, the dragon and the
snake are also frequently related to the tree. Symbol LVII of Bosch’s Ars Symbolica shows the dragon beside the tree of the Hesperides. As regards the symbolism of
levels, it is possible to establish a vertical scale of analogies: dragons and snakes
(primal forces) are associated with the roots; the lion, the unicorn, the stag and
other animals expressing the ideas of elevation, aggression and penetration, correspond to the trunk; and birds and heavenly bodies are brought into relation with
the foliage. Colour correspondences, are: roots/black; trunk/white; foliage/red.
The snake coiled round the tree introduces another symbol, that of the spiral. The
tree as world-axis is surrounded by the sequence of cycles which characterizes
the revealed world. This is an interpretation applicable to the serpent watching at
the foot of the tree on which the Golden Fleece is suspended (25). Endless
instances could be quoted of such associations of symbols, full of psychological
implications. Another typical combination of symbols, extremely frequent in
folktales, is that of the ‘singing tree’. In the Passio S. Perpetuae XI (Cambridge,
1891) we read that St. Saturius, a martyr alongside St. Perpetua, dreamed on the
eve of his martyrdom ‘that, having shed his mortal flesh, he was carried eastward
by four angels. Going up a gentle slope, they reached a spot bathed in the most
beautiful light: it was Paradise opening before us’, he adds, ‘like a garden, with
trees bearing roses and many other flower-blooms; trees tall as cypresses, singing
the while’ (46). The sacrificial stake, the harp-lyre, the ship-of-death and the
drum are all symbols derived from the tree seen as the path leading to the other
world (50) (Plate XXIX). Gershom G. Scholem, in Les Origines de la Kabbale,
speaks of the symbolism of the tree in connexion with hierarchical, vertical structures (such as the ‘sefirothic tree’ of the Cabbala, a theme that we cannot develop
here). He asks himself whether the ‘tree of Porphyry’, which was a widespread
symbol during the Middle Ages, was of a similar nature. In any case, it is reminiscent of the Arbor elementalis of Raymond Lull (1295), whose trunk symbolizes
the primordial substance of Creation, or hyle, and whose branches and leaves
represent its nine accidents. The figure ten has the same connotation as in the
sefiroth, the ‘sum of all the real which can be determined by numbers’.
The tree in your dream is you. The health, size and overall quality of the tree is indicative of how you feel about yourself. This interpretation is to be made only when the tree is the focal point of the dream. Also, consider whether the tree is alive with leaves, flowers or fruit, or if it's barren. You may see trees in your dream as a part of a landscape or as a secondary symbol. At those times, consider all of the details as they may have different interpretations than the one just given.
To see or spin a top in your dream, represents idleness. You are not going anywhere in life and are wasting your time away on frivolous pleasures.
To dream that you are on top, signifies your goals, aspirations and ideals. You are seeking higher understanding and knowledge.
Seeing or spin a top in your dream, represents idleness. You are wasting your time away on frivolous pleasures. Dreaming that you are on top means your aspirations and ideals. You are seeking higher understanding and knowledge.
The symbolism of the moon is wide in scope and very complex. The
power of this satellite was noted by Cicero, when he observed that ‘Every month
the moon completes the same trajectory executed by the sun in a year. . . . It
contributes in large measure to the maturation of shrubs and the growth of animals.’ This helps to explain the important rôle of the lunar goddesses such as
Ishtar, Hathor, Anaitis, Artemis. Man, from the earliest times, has been aware of
the relationship between the moon and the tides, and of the more mysterious
connexion between the lunar cycle and the physiological cycle of woman. Krappe
believes—with Darwin—that this follows from the fact that animal life originated in the watery deeps and that this origin imparted a rhythm to life which has
lasted for millions of years. As he observes, the moon thus becomes the ‘Master
of women’. Another essential fact in the ‘psychology of the moon’ is the apparent changes in its surface that accompany its periodic phases. He postulates that
these phases—especially in their negative sense of partial and gradual disappearance—may have been the source of inspiration for the Dismemberment myth
(Zagreus, Pentheus, Orpheus, Actaeon, and Osiris for example). The same might be said of the myths and legends of the ‘spinners’ (35). When patriarchy superseded matriarchy, a feminine character came to be attributed to the moon and a
masculine to the sun. The hieros gamos, generally understood as the marriage of
heaven and earth, may also be taken as the union of the sun and the moon. It is
generally conceded nowadays that the lunar rhythms were utilized before the
solar rhythms as measures of time, and there is also a possible equation with the
resurrection—spring follows upon winter, flowers appear after the frost, the sun
rises again after the gloom of night, and the crescent moon grows out of the ‘new
moon’. Eliade points to the connexion between these cosmic events and the myth
of the periodic creation and recreation of the universe (17). The regulating function of the moon can also be seen in the distribution of the waters and the rains,
and hence it made an early appearance as the mediator between earth and heaven.
The moon not only measures and determines terrestrial phases but also unifies
them through its activity: it unifies, that is, the waters and rain, the fecundity of
women and of animals, and the fertility of vegetation. But above all it is the being
which does not keep its identity but suffers ‘painful’ modifications to its shape
as a clear and entirely visible circle. These phases are analogous to the seasons of
the year and to the ages in the span of man’s life, and are the reasons for the
affinity of the moon with the biological order of things, since it is also subject to
the laws of change, growth (from youth to maturity) and decline (from maturity
to old age). This accounts for the mythic belief that the moon’s invisible phase
corresponds to death in man, and, in consequence, the idea that the dead go to the
moon (and return from it—according to those traditions which accept reincarnation). ‘Death’, observes Eliade, ‘is not therefore an extinction, but a temporal
modification of the plan of life. For three nights the moon disappears from
heaven, but on the fourth day it is reborn. . . . The idea of the journey to the moon
after death is one which has been preserved in the more advanced cultures (in
Greece, India and Iran). Pythagorean thought imparted a fresh impulse to astral
theology: the “Islands of the Blessed” and all mythic geography came to be
projected on to celestial planes—the sun, the moon, the Milky Way. It is not
difficult to find, in these later formulas, the traditional themes of the moon as the
Land of the Dead or as the regenerating receptacle of souls. (But) . . . lunar space
was no more than one stage in the ascension; there were others: the sun, the
Milky Way, the “supreme circle”. This is the reason why the moon presides over
the formation of organisms, and also over their decomposition (as the colour
green). Its destiny consists of reabsorbing forms and of recreating them. Only
that which is beyond the moon, or above it, can transcend becoming. Hence, for Plutarch, the souls of the just are purified in the moon, whilst their bodies return
to earth and their spirit to the sun.’ The lunar condition, then, is equivalent to the
human condition. Our Lady is depicted above the moon, thereby denoting that
eternity is above the mutable and transitory (17). René Guénon has confirmed
that, in ‘the sphere of the moon’, forms are dissolved, so that the superior states
are severed from the inferior; hence the dual rôle of the moon as Diana and
Hecate—the celestial and the infernal. Diana or Jana is the feminine form of Janus
(26, 17). Within the cosmic order, the moon is regarded as a duplication of the
sun, but in diminished form, for, if the latter brings life to the entire planetary
system, the moon influences only our own planet. Because of its passive character—in that it receives its light from the sun—it is equated with the symbolism of
the number two and with the passive or feminine principle. It is also related to the
Egg of the World, the matrix and the casket (9). The metal corresponding to the
moon is silver (57). It is regarded as the guide to the occult side of nature, as
opposed to the sun which is responsible for the life of the manifest world and for
fiery activity. In alchemy, the moon represents the volatile (or mutable) and
feminine principle, and also multiplicity because of the fragmentary nature of its
phases. These two ideas have sometimes been confused, giving rise to literal
interpretations which fall into the trap of superstition. The Greenlanders, for
example, believe that all celestial bodies were at one time human beings, but the
moon in particular they accuse of inciting their women to orgies and for this
reason they are not permitted to contemplate it for long (8). In pre-Islamic
Arabia, as in other Semitic cultures, the cult of the moon prevailed over sunworship. Mohammed forbade the use of any metal in amulets except silver (39).
Another significant aspect of the moon concerns its close association with the
night (maternal, enveloping, unconscious and ambivalent because it is both protective and dangerous) and the pale quality of its light only half-illuminating
objects. Because of this, the moon is associated with the imagination and the
fancy as the intermediary realm between the self-denial of the spiritual life and
the blazing sun of intuition. Schneider has drawn attention to a highly interesting
morphological point with his observation that the progressive change in the
shape of the moon—from disk-shape to a thin thread of light—seems to have
given birth to a mystic theory of forms which has influenced, for example, the
manner of constructing musical instruments (51). At the same time, Stuchen,
Hommel and Dornseif have demonstrated the influence of the lunar shapes upon
the characters of the Hebrew and Arabic alphabets, in addition to their profound
effect upon the morphology of instruments. Eliade quotes Hentze’s comment to the effect that all dualisms find in the moon’s phases, if not their historical cause,
at least a mythic and a symbolic model. ‘The nether world—the world of darkness—is represented by a dying moon (horns=quarter moon; the sign of a double
volute=two quarter moons facing in opposite directions; two quarters superimposed back to back = lunar change representing a decrepit, bony old man). The
upper world—the world of life and of the nascent sun—is symbolized by a tiger
(the monster of darkness and of the new moon) with the human being, represented by a child, emerging from its jaws’ (17). Animals regarded as lunar are
those which alternate between appearance and disappearance, like the amphibians; examples are the snail which leaves its shell and returns to it; or the bear
which vanishes in winter and reappears in spring, and so on. Lunar objects may
be taken as those of a passive or reflecting character, like the mirror; or those
which can alter their surface-area, like the fan. An interesting point to note is that
both objects are feminine in character.
To see the moon in your dream, represents some hidden, mysterious aspect of yourself. It is often associated with the feminine mystique and intuition. Alternatively, the moon signifies your changing moods.
To see the eclipse of the moon in your dream, signifies that your feminine side is being overshadowed. Or it may mean that some hidden aspect of yourself is coming to the surface.
To see the crescent moon in your dream, indicates cyclic changes, renewal, and movement. You are progressing smoothly toward your life path. A full moon signifies completion and wholeness, while a new moon symbolizes new beginnings.
To dream of seeing the moon with the aspect of the heavens remaining normal, prognosticates success in love and business affairs.
A weird and uncanny moon, denotes unpropitious lovemaking, domestic infelicities and disappointing enterprises of a business character.
The moon in eclipse, denotes that contagion will ravage your community.
To see the new moon, denotes an increase in wealth and congenial partners in marriage.
For a young woman to dream that she appeals to the moon to know her fate, denotes that she will soon be rewarded with marriage to the one of her choice. If she sees two moons, she will lose her lover by being mercenary. If she sees the moon grow dim, she will let the supreme happiness of her life slip for want of womanly tact.
To see a blood red moon, indicates war and strife, and she will see her lover march away in defence of his country.
Seeing the moon in your your dream, represents something hidden, mystery and the feminine aspect of your self. In particular, a full moon means completion, whereas a new moon symbolizes new beginnings. Dreaming that the moon in odd in any way means infidelity of your lover and disappointments in business. Seeing the eclipse of the moon in your dream means that your feminine side is being overshadowed. It also foretells of illness of someone near you. Seeing the crescent moon in your dream indicates cyclic changes, renewal, and movement. You are progressing smoothly toward your life path.
The Moon is an interesting symbol that signifies feminine energy; it is associated with the irrational and the intuitive. The Moon affects the ocean tides, and it has been linked to madness. As a dream symbol is can represent all of these things and more. As always, pay attention to the details in the dream before making conclusions. The moon could represent romance and our earthly impulses and passions. It could reveal things about the nature of soul and the unconscious. The Moon can also reflect inner peace and feelings of serenity and security.
Often associated with the destination or repository for souls after death. The gods adn goddesses of the underworld, the realm of the dead, are often lunar deities. The association of the moon with death and rebirth is due to it's waxing and waning: every 28 days, teh moon "dies" and is "re-born". The ancient Greeks believed the moon to be a midway point for souls traveling from Earth to Heaven or visa versa. The souls of the newly dead first went to the moon where their astral bodies were cleansed before continuing on to Heaven. According to the Upanishads, the sacred Hindu texts, the souls of unenlightened people go to the moon after death where they await reincarnation. Enlightened souls who have been liberated from reincarnation go to the Sun.
Astrological Sign: Pisces.
Positive associations with this tarot card:
imagination, unexpected possibilities, illumination.
Negative associations with this tarot card:
fear, confusion, highly charged emotions, bewilderment, lies, deceit.
When The Moon appears you can be sure it will be a time of highly charged emotions and confusion .
Despite any fear you may have, the wan light of The Moon will illuminate the way, and even if the path you are on is tough, all will turn out right in the end.
Upright and in a favourable position in a reading this card is a good omen if you are involved in a clandestine affair, otherwise it may signify that your secret may be exposed.
The Moon can lead to artistic expression through art, writing or music, which may lead to unexpected opportunities.
Negatively this card stands for lack of progress because of deep rooted fears and anxieties. It tells of failure of nerve, it also warns of lies and deceit - perhaps this is the cause of your worries.
To dream that you are undergoing a transformation, indicates a need for change or a deviation from your normal routine. Expect some major changes ahead. Alternatively, a transfusion refers to your expanded awareness and a deep-level personality development.
Dreaming that you are undergoing a transformation indicates a need for change or a deviation from your usual routine. It also suggests your expanded awareness and a deep-level personality development.
In the Egyptian system of hieroglyphs, the schematic figure of a lake
expresses the occult and the mysterious, probably by allusion to the underground
lake which the sun has to pass over during its ‘night-crossing’ (but also simply by
associating it with the symbolism of level, given that water always alludes to the
‘connexion between the superficial and the profound’; a lake becomes, then, a
fluid mass of transparency). In the temple of the god Amon, at Karnak, there was
an artificial lake symbolizing hyle—or the ‘lower waters’ of protomatter. And, at
certain times during the year, a procession of priests would cross the lake in
boats, in this way re-enacting the ‘night-crossing’ of the sun mentioned above
(19). The symbolism here is the same, broadly speaking, as that of the watery
deeps. The Irish and Breton belief that the Land of the Dead is at the bottom of
the ocean or of lakes may be derived from watching the sun setting over the water;
and the death of human beings, and therefore by analogy the setting of the sun,
was interpreted as passing over into the nether world. But, as we have suggested,
the structure of lake-symbolism may have arisen directly out of the symbolism of
level; for this latter symbolism, so deeply rooted in the psyche of man, equates all
that is on a low level spatially with what is low in a spiritual, negative, destructive, and hence fatal, sense. The fact that water-symbolism is closely connected
with the symbolism of the abyss serves to corroborate the fatal implications of
the lake-symbol, for the part played by the liquid Element is to provide the
transition between life and death, between the solid and the gaseous, the formal
and the informal. At the same time, the lake—or, rather, its surface alone—holds
the significance of a mirror, presenting an image of self-contemplation, consciousness and revelation.
To see a lake in your dream, signifies your emotional state of mind. You feel restricted and that you can't express your emotions freely. Alternatively, the lake may provide you with solace, security, and peace of mind. If the lake is clear and calm, then it symbolizes your inner peace. If the lake is disturbed, then you may be going through some emotional turmoil.
For a young woman to dream that she is alone on a turbulent and muddy lake, foretells many vicissitudes are approaching her, and she will regret former extravagances, and disregard of virtuous teaching.
If the water gets into the boat, but by intense struggling she reaches the boat-house safely, it denotes she will be under wrong persuasion, but will eventually overcome it, and rise to honor and distinction.
It may predict the illness of some one near her.
If she sees a young couple in the same position as herself, who succeed in rescuing themselves, she will find that some friend has committed indiscretions, but will succeed in reinstating himself in her favor.
To dream of sailing on a clear and smooth lake, with happy and congenial companions, you will have much happiness, and wealth will meet your demands.
A muddy lake, surrounded with bleak rocks and bare trees, denotes unhappy terminations to business and affection.
A muddy lake, surrounded by green trees, portends that the moral in your nature will fortify itself against passionate desires, and overcoming the same will direct your energy into a safe and remunerative channel. If the lake be clear and surrounded by barrenness, a profitable existence will be marred by immoral and passionate dissipation.
To see yourself reflected in a clear lake, denotes coming joys and many ardent friends.
To see foliaged trees reflected in the lake, you will enjoy to a satiety
Love's draught of passion and happiness.
To see slimy and uncanny inhabitants of the lake rise up and menace you, denotes failure and ill health from squandering time, energy and health on illicit pleasures. You will drain the utmost drop of happiness, and drink deeply of Remorse's bitter concoction.
Seeing a lake in your dream means your emotional state of mind. If the lake is clear and calm, then it symbolize your inner peace. If the lake is disturbed, then you may be going through some emotional turmoil.
All bodies of water generally represent our emotions and our unconscious. Old dream interpretation books say that lakes are associated with romantic feelings. If the lake is calm, your love life is probably in such good shape that you feel safe. Stormy water means to strap your self in and get ready for a bumpy ride. If you see a monster in the water, your unconscious may be suggesting that you have competition (or some unseen issue or problem).
Symbolic of valour among the Romans and the Egyptians. It also
appears as a guardian in a great many monuments (8). In Nordic mythology we
are told of a monstrous wolf, Fenris, that would destroy iron chains and shackles
and was eventually shut up in the bowels of the earth. It was also said that, with
the twilight of the gods—the end of the world—the monster would break out of
this prison too, and would devour the sun. Here, then, the wolf appears as a
symbol of the principle of evil, within a pattern of ideas which is unquestionably
related to the Gnostic cosmogony. Nordic mythology presupposes that cosmic
order is possible only through the temporary shackling of the chaotic and destructive potential of the universe—a potential which (through the process of
Symbolic Inversion—q.v.) must triumph in the end. The myth is also connected
with all other concepts of the final annihilation of the world, whether by water or
by fire.
To dream of a wolf, shows that you have a thieving person in your employ, who will also betray secrets.
To kill one, denotes that you will defeat sly enemies who seek to overshadow you with disgrace. To hear the howl of a wolf, discovers to you a secret alliance to defeat you in honest competition.
To see a wolf in your dream, symbolizes survival, beauty, solitude, mystery, self-confidence and pride. You are able to keep your composure in a variety of social circumstances and blend into any situation with ease and grace. You are also a loner by choice. Negatively, the wolf represents hostility, aggression, or sneakiness. It may reflect an uncontrollable situation or an all-consuming force in your life. This could point to an obsession, an addiction or something that is beyond your control.
To see a white wolf in your dream, signifies valor and victory. You have the ability to see the light even in your darkest hours.
To dream that you kill a wolf, indicates betrayal. Certain secrets will be revealed to you.
To hear a wolf howling in your dream, represents a cry for help from somebody in your waking life.
Seeing a wolf in your dream, symbolizes beauty, solitude, mystery, self-confidence and pride. You are able to keep your composure in a variety of social situations and can blend in with any situation with ease and grace. You are a loner by choice. Negatively, it represents hostility and aggression. It may also reflect an uncontrollable force or situation in your life. In particular, if the wolf is white, then it means valor and victory. You have the ability to see the light even in your darkest hours. Dreaming that you kill a wolf indicates betrayal and secrets revealed.
Wolf Meaning and Totem Symbolism of the Wolf
To understand totem wolf symbols, one must first understand the heart of the Wolf. This takes time because the Wolf has had to endure many false stereotypes, misconceptions and misunderstandings.
Not at all the picture of ferocity or terror, the Wolf is a creature with a high sense of loyalty and strength. Another misconception is that of the “lone wolf.” To the contrary, the Wolf is actually a social creature, friendly, and gregarious with its counterparts.
The Wolf is an incredible communicator. By using touch, body movements, eye contact as well as many complex vocal expressions – the wolf makes his point understood. Those with totem wolf symbols are of the same inclination – they are expressive both vocally and physically. Those who have the wolf as their totem animal are naturally eloquent in speech, and also have knack for creative writing.
A quick-list of totem wolf symbolic attributes include:
Intelligence
Cunning
Communication
Friendliness
Loyalty
Generosity
Compassionate
Totem wolf symbols belong to those who truly understand the depth of passion that belong to this noble creature. The Wolf is a representative of deep faith, and profound understanding.
Further, the Wolf possess a high intellect, and have been observed using strategies about hunting, habitat and migration.
In history, the totem Wolf symbol appears with the founders of Rome, Romulus and Remus. Legend has it that the two founding brothers were raised and suckled by a she-wolf.
In Norse mythology, the Wolf is a symbol for victory when ridden by Odin and the Valkyries upon the battlefield.
As a Celtic symbol, the Wolf was a source of lunar power. Celtic lore states that the Wolf would hunt down the sun and devour it at each dusk so as to allow the power of the moon to come forth.
In Asia, the wolf guards the doors that allow entrance to heavenly, celestial realms. The Wolf is also said to be among the ancestry of Genghis Khan.
When this gracious creature appears to us, and serves as a totem in our lives, the Wolf beckons us to ask these questions:
Are you thinking about a different form of education?
Are you being a true friend, and are your friends being true to you?
Are you communicating yourself clearly to others?
Are you being loyal to yourself?
Are you incorporating strategies and planning to achieve your goals?
Are you spending enough quality time with yourself, friends and family?
The wolf represents your inner teacher. It will help you to find your life path.
Royalty, spirit, strength, friendly, family, sociable, intelligent, ritualistic in nature (applies to all of life), balances flexibility to establish harmony and order in life, new paths and journeys, freedom to move within the realms of insights and attachments. Teaches able to be steadfast, familial protection, Epitome of the wild spirit. Wolf guides the use of resources and the lesson of adaptability along with teaching and instruction. Wolf helps to tap into inner strength and intuition. Sometimes transformation accompanies Wolf's lessons. Are you using your resources wisely for the greater good? Are you nourishing your family and those around you? Are you listening to your instincts to avoid confrontations? Wolf will add in balancing harmony and wisdom to take control of your life.
To dream that you are locked out, suggests that you are feeling alienated or unaccepted. You have difficulties getting in touch with your feelings. Consider what and where you are being locked out of.
Dreaming that you are locked out, suggests that you are feeling alienated or unaccepted. You have difficulties getting in touch with your feelings. Consider what and where you are being locked out of.
To see your own eyes in your dream, represent enlightenment, knowledge, comprehension, understanding, and intellectual awareness. Unconscious thoughts may be coming onto the surface. The left eye is symbolic of the moon, while the right eye represents the sun. It may also be a pun on "I" or the self. If you dream that your eyes have turned inside your head and you can now see the inside of your head, then it symbolizes insight and something that you need to be aware of. This dream may be literally telling you that you need to look within yourself. Trust your intuition and instincts.
To dream that you have something in your eye, represents obstacles in your path. Alternatively, it may represent your critical view and how you tend to see faults in others.
To dream that you have one eye, indicates your refusal to accept another viewpoint. It suggests that you are one-sided in your ways of thinking.
To dream that you have a third eye, symbolizes inner vision, insight, instinct or some psychic ability you have yet untapped. You are able to see what others cannot. Or you need to start looking within yourself and trust your instincts.
To dream that your eyes are injured or closed, suggests your refusal to see the truth about something or the avoidance of intimacy. You may be expressing feelings of hurt, pain or sympathy.
To dream that you have crossed eyes, denotes that you are not seeing straight with regards to some situation. You may be getting your facts mixed up.
To dream that your eyes are bleeding, symbolizes the sacrifices your have made and the difficulties you have endured. Alternatively, the dream signifies some very deep pain or internal conflict within your soul. Although you may not feel any physical pain, you are hurting inside. Perhaps you have been hiding the pain for so long that you forgot what pain feels like. There is some unrest or uneasiness within which needs to be addressed and resolved immediately.
Eyes are complex dream symbols and can be interpreted by considering the dreamer's experiences and the details in the dream (as is the case with all dream symbols). Some say that the eyes are the windows for the soul. Eyes symbolize perceptiveness, personal outlook, clairvoyance, curiosity, and knowledge. They also reveal information about personal identity and suggest to the dreamer what they should pay attention to. Closed eyes are said to represent fear and an unwillingness to see clearly. Superstition-based dream interpretations say that if the eyes in your dream are beautiful they represent peace. Crossed eyes may be an unconscious warning about someone’s character, integrity, or misperceptions.
To see normal movement in your dream, represents your ability to cope with various situations. You are able to adapt to the changing environments that you find yourself in.
To see quick, smooth movement in your dream, represents self-acceptance or your quick wit. You are able to express your feelings with ease. Alternatively, the dream may be a metaphor telling you that you need to get a move on things.
To see slow, difficult movement in your dream, indicates a fear of failure. Something is holding you back and preventing you to take chances.
Seeing normal movement in your dream, represents your ability to cope with various situations. You are able to adapt to the changing environments that you find yourself in. Seeing quick, smooth movement, represents self-acceptance and/or your quick wit. You are able to easily express your feelings. Seeing slow, difficult movement indicates a fear of failure. Something is holding you back and preventing you to take chances.