every time kiddotron hears his voice..
her bionic ears perk up, her eyes widen.
mechanical heart goes haywire.
soft, anime hair stands straight up.
she salivates, as cute little pout lowers.
delicate, linked robot phalanges travel upon her milky white exterior.
paint brush drops, music softens, ...
as she shuts her camera eyes.
kiddotron is tough, cold, and made of metal.
but, she is so soft and warm on the inside.
To dream of hearing voices, denotes pleasant reconciliations, if they are calm and pleasing; high-pitched and angry voices, signify disappointments and unfavorable situations.
To hear weeping voices, shows that sudden anger will cause you to inflict injury upon a friend.
If you hear the voice of God, you will make a noble effort to rise higher in unselfish and honorable principles, and will justly hold the admiration of high-minded people.
For a mother to hear the voice of her child, is a sign of approaching misery, perplexity and grievous doubts.
To hear the voice of distress, or a warning one calling to you, implies your own serious misfortune or that of some one close to you. If the voice is recognized, it is often ominous of accident or illness, which may eliminate death or loss.
To dream that no one hears you, refers to a waking situation where you feel that no one is listening to you or paying attention to what you are saying. You feel you are being overlooked or overshadowed.
Dreaming that no one hears you, refers to a waking situation where you feel that no one is listening to you or paying attention to what you are saying. You feel you are being overlooked or overshadowed.
To see your own eyes in your dream, represent enlightenment, knowledge, comprehension, understanding, and intellectual awareness. Unconscious thoughts may be coming onto the surface. The left eye is symbolic of the moon, while the right eye represents the sun. It may also be a pun on "I" or the self. If you dream that your eyes have turned inside your head and you can now see the inside of your head, then it symbolizes insight and something that you need to be aware of. This dream may be literally telling you that you need to look within yourself. Trust your intuition and instincts.
To dream that you have something in your eye, represents obstacles in your path. Alternatively, it may represent your critical view and how you tend to see faults in others.
To dream that you have one eye, indicates your refusal to accept another viewpoint. It suggests that you are one-sided in your ways of thinking.
To dream that you have a third eye, symbolizes inner vision, insight, instinct or some psychic ability you have yet untapped. You are able to see what others cannot. Or you need to start looking within yourself and trust your instincts.
To dream that your eyes are injured or closed, suggests your refusal to see the truth about something or the avoidance of intimacy. You may be expressing feelings of hurt, pain or sympathy.
To dream that you have crossed eyes, denotes that you are not seeing straight with regards to some situation. You may be getting your facts mixed up.
To dream that your eyes are bleeding, symbolizes the sacrifices your have made and the difficulties you have endured. Alternatively, the dream signifies some very deep pain or internal conflict within your soul. Although you may not feel any physical pain, you are hurting inside. Perhaps you have been hiding the pain for so long that you forgot what pain feels like. There is some unrest or uneasiness within which needs to be addressed and resolved immediately.
Eyes are complex dream symbols and can be interpreted by considering the dreamer's experiences and the details in the dream (as is the case with all dream symbols). Some say that the eyes are the windows for the soul. Eyes symbolize perceptiveness, personal outlook, clairvoyance, curiosity, and knowledge. They also reveal information about personal identity and suggest to the dreamer what they should pay attention to. Closed eyes are said to represent fear and an unwillingness to see clearly. Superstition-based dream interpretations say that if the eyes in your dream are beautiful they represent peace. Crossed eyes may be an unconscious warning about someone’s character, integrity, or misperceptions.
The symbolism of music is of the greatest complexity and we cannot
here do more than sketch out some general ideas. It pervades all the component
elements of created sound: instruments, rhythm, tone or timbre, the notes of the
natural scale, serial patterns, expressive devices, melodies, harmonies and forms.
The symbolism of music may be approached from two basic standpoints: either
by regarding it as part of the ordered pattern of the cosmos as understood by the ancient, megalithic and astrobiological cultures, or else by accepting it as a phenomenon of ‘correspondence’ linked with the business of expression and communication. Another of the fundamental aspects of music-symbolism is its connexion
with metre and with number, arising out of the Pythagorean theory (27). The
cosmic significance of musical instruments—their allegiance to one particular
Element—was first studied by Curt Sachs in Geist und Werden der
Musikinstrumente (Berlin, 1929). In this symbolism, the characteristic shape of
an instrument must be distinguished from the timbre, and there are some common
‘contradictions’ between these two aspects which might possibly be of significance as an expression of the mediating rôle of the musical instrument and of
music as a whole (for an instrument is a form of relationship or communication,
substantially dynamic, as in the case of the voice or the spoken word). For
example, the flute is phallic and masculine in shape and feminine in its shrill pitch
and light, silvery (and therefore lunar) tone, while the drum is feminine by virtue
of its receptacle-like shape, yet masculine in its deep tones (50). The connexion
of music-symbolism with self-expression (and even with graphic art) is well in
evidence in primitive music-making, which often amounted to almost literal imitations of the rhythms and movements, the features and even the shapes of
animals. Schneider describes how, hearing some Senegalese singing the ‘Song of
the Stork’, he began to ‘see as he was listening’, for the rhythm corresponded
exactly to the movements of the bird. When he asked the singers about this, their
reply confirmed his observation. Given the laws of analogy, we can also find
cases of the expressive transferred to the symbolic: that is, a melodic progression
as a whole expresses certain coherent emotions, and this progression corresponds
to certain coherent, symbolic forms. On the other hand, alternating deep and highpitched tones express a ‘leap’, anguish and the need for Inversion; Schneider
concludes that this is an expression of the idea of conquering the space between
the valley and the mountain (corresponding to the earth and the sky). He observes that in Europe the mystic designation of ‘high music’ (that is, high-pitched)
and ‘low music’ (low-pitched) persisted right up to the Renaissance. The question of relating musical notes to colours or to planets is far from being as certain
as other symbolic correspondences of music. Nevertheless, we cannot pass on
without giving some idea of the profound, serial relationship which exists in
phenomena: for instance, corresponding to the pentatonic scale we usually find
patterns grouped in fives; the diatonic and modal scale, since it has seven notes,
is related to most of the astrobiological systems, and is unquestionably the most
important of all the series; the present-day tendency towards the twelve-note
series could be compared to the signs of the Zodiac. But, so far, we have not found sufficient evidence for this particular facet of musicsymbolism. All the
same, here are the correspondences as set down by Fabre d’Olivet, the French
occultist: Mi—the Sun, fa—Mercury, sol—Venus, la—the Moon, ti—Saturn,
do—Jupiter, re—Mars (26). A more valid series of relationships, at least in the
expressive aspect, is that which links the Greek modes with the planets and with
particular aspects of the ethos, as follows: the mi-mode (the Dorian)—Mars
(who is severe or pathetic); the re-mode (the Phrygian)—Jupiter (ecstatic): the
do-mode (the Lydian)—Saturn (pained and sad); the ti-mode (the Hypodorian)—
the Sun (enthusiastic); the la-mode (the Hypophrygian)—Mercury (active); the
sol-mode (the Hypolydian)—Venus (erotic); the fa-mode (the Mixolydian)—the
Moon (melancholy) (50). Schneider’s profound investigations into the symbolism of music seem to us well-founded. The tetrachord formed by the notes do, re,
mi, fa, he considers, for instance, to be a mediator between heaven and earth, the
four notes corresponding respectively to the lion (signifying valour and strength),
the ox (sacrifice and duty), man (faith and incarnation) and the eagle (elevation
and prayer). Conversely, the tetrachord formed by sol, la, ti, do, could represent
a kind of divine duplicate of the previous tetrachord. Fa, do, sol, re are regarded as
masculine elements corresponding to the Elements of fire and air and to the
instruments of stone and metal, whereas la, mi, ti, are feminine, and pertain to the
Elements of water and earth. The interval fa-ti, known to musicologists as a
tritone (or augmented fourth), expresses with its dissonance the ‘painful’ clash
between the Elements of fire and water—a clash occurring in death itself (50). We
have been able to suggest here only a few outlines of the music-symbolism
developed by Schneider in his work The Musical Origin of Animal-Symbols, the
scope of which is so wide that, as he has privately intimated to us, he believes all
symbolic meanings are at root musical or at least to do with sounds. This becomes
easier to understand when we recall that singing, as the harmonization of successive, melodic elements, is an image of the natural connexion between all things,
and, at the same time, the communication, the spreading and the exaltation of the
inner relationship linking all things together. Hence Plato’s remark that the character of a nation’s music cannot be altered without changing the customs and
institutions of the State (26).
To hear harmonious and soothing music in your dream, signifies prosperity and pleasure. You are expressing your emotions in a positive way. Music serves to heal the soul.
To hear discordant or out of tune music in your dream, signifies unhappiness, lack of harmony, and troubles in your relationship or domestic life.
To dream of hearing harmonious music, omens pleasure and prosperity.
Discordant music foretells troubles with unruly children, and unhappiness in the household.
To see a brush in your dream, symbolizes your desire to "brush" away problems or something in your life that needs to be cleaned up. Perhaps you are taking a nonchalant attitude to circumstances that need serious consideration.
If you lose or can't find your brush, then suggests that you are unable to sort out your problems.
To dream that you are brushing your hair, suggests your need to organize and sort your thoughts. You need to search for some elements that are not clear. Brushing you hair may also highlight your preoccupation with appearances and beauty over substance and quality.
To dream of using a hair-brush, denotes you will suffer misfortune from your mismanagement. To see old hair brushes, denotes sickness and ill health. To see clothes brushes, indicates a heavy task is pending over you.
If you are busy brushing your clothes, you will soon receive reimbursement for laborious work. To see miscellaneous brushes, foretells a varied line of work, yet withal, rather pleasing and remunerative
Dreaming of a brush, symbolizes your desire to brush away problems or something in your life that needs to be cleaned up. Perhaps you are taking a nonchalant attitude to circumstances that need serious consideration. If you lose or can't find your brush, then suggests that you are unable to sort our your problems.
To see paint in your dream, symbolizes expression of your inner emotions. Consider the color of the paint and how the color makes your feel. It is this feeling that you need to express more in your waking life.
To mix paint in your dream, suggests that you are incorporating a little variety in your life.
To see newly painted houses in dreams, foretells that you will succeed with some devised plan.
To have paint on your clothing, you will be made unhappy by the thoughtless criticisms of others.
To dream that you use the brush yourself, denotes that you will be well pleased with your present occupation.
To dream of seeing beautiful paintings, denotes that friends will assume false positions towards you, and you will find that pleasure is illusive.
For a young woman to dream of painting a picture, she will be deceived in her lover, as he will transfer his love to another.
Many people dream of travelling in aeroplanes, cars, and trains etc. Travelling is one of the most common dream themes. It is representative of our journey through life. These dreams could represent your current movement toward goals or passage through life. Difficult travelling conditions such as a dark road, a bad storm, or an accident in a car, or other vehicle may be symbolic of the difficulties that we experience in our daily journey through life. Other times dreaming about travelling to a fun place and having a great time could be a form of compensation or wish-fulfilment. This type of a dream can be an escape from our daily life and form of transcendence into a beautiful dream world. If you are constantly having dreams about travelling, take a closer look at the current situations in your life. Are things going well, or are they more difficult than you would like them to be?