To dream of having flux, or thinking that you are thus afflicted, denotes desperate or fatal illness will overtake you or some member of your family. To see others thus afflicted, implies disappointment in carrying out some enterprise through the neglect of others. Inharmonious states will vex you.

To dream that you are energetic, symbolizes growth, activity, expansion and insight. You need to channel your energy in a positive way.

The Chinese, in their solar rites, utilize a tablet of red jade, which they
call Chang; it symbolizes the Element of fire (39). In Egyptian hieroglyphics, fire
is also related to the solar-symbolism of the flame, and associated in particular
with the concepts of life and health (deriving from the idea of body-heat). It is
also allied with the concept of superiority and control (19), showing that the
symbol had by this time developed into an expression of spiritual energy. The
alchemists retained in particular the Heraclitean notion of fire as ‘the agent of
transmutation’, since all things derive from, and return to, fire. It is the seed which
is reproduced in each successive life (and is thereby linked with the libido and
fecundity) (57). In this sense as a mediator between forms which vanish and
forms in creation, fire is, like water, a symbol of transformation and regeneration.
For most primitives, fire was a demiurge emanating from the sun, whose earthly
representative it was; hence it is related on the one hand with the ray of light and
the lightning (35), and, on the other, with gold. Frazer lists many rites in which
torches, bonfires, burning embers and even ashes are considered capable of stimulating the growth of the cornfields and the well-being of man and of animals.
However, anthropological research has furnished two explanations of the firefestival (as it persists today in the Valencian bonfires on the night of St. John,
fireworks and the illuminated Christmas tree): on the one hand, there is the
opinion of Wilhelm Mannhardt, to the effect that it is imitative magic purporting
to assure the supply of light and heat from the sun, and, on the other, the view of
Eugene Mogk and Edward Westermarck that it has as its aim the purification or
destruction of the forces of evil (21); however, these two hypotheses are not opposing but complementary. The triumphant power and the vitality of the
sun—by analogy, the spirit of the shining Origin—is tantamount to victory over
the power of evil (the forces of darkness); purification is the necessary sacrificial
means of achieving the sun’s triumph. Marius Schneider, however, distinguishes
between two kinds of fire, depending upon their direction (or their function): fire
as in the axis fire-earth (representing eroticism, solar heat and physical energy),
and fire of the axis fire-air (linked with mysticism, purification or sublimation,
and spiritual energy). There is an exact parallel here with the ambivalent symbolism of the sword (denoting both physical destruction and determination of spirit)
(50). Fire, in consequence, is an image of energy which may be found at the level
of animal passion as well as on the plane of spiritual strength (56). The Heraclitean
idea of fire as the agent of destruction and regeneration is reproduced in the Indian
Puranas and in the Apocalypse (27). Gaston Bachelard recalls the alchemists’
concept of fire as ‘an Element which operates in the centre of all things’, as a
unifying and stabilizing factor. Paracelsus demonstrated the parallel between fire
and life, pointing out that both must feed upon other lives in order to keep alive.
To steal fire like Prometheus, or to give oneself up to fire like Empedocles, are
two concepts which point to the basic dualism of the human predicament. The
middle way lies in the comfortable solution of simply making material use of the
benefits of fire. But fire is ultra-life. It embraces both good (vital heat) and bad
(destruction and conflagration). It implies the desire to annihilate time and to
bring all things to their end. Fire is the archetypal image of phenomena in themselves (1). To pass through fire is symbolic of transcending the human condition,
according to Eliade in Myths, Dreams and Mysteries (London, 1960).

Depending on the context of your dream, to see fire in your dream can symbolize destruction, passion, desire, illumination, purification, transformation, enlightenment, or anger. It may suggest that something old is passing and something new is entering into your life. Your thoughts and views are changing. In particular, if the fire is under control or contained in one area, then it is a metaphor of your own internal fire and inner transformation. The dream may be a metaphor for someone who is "fiery". It represents your drive, motivation, and creative energy. Alternatively, the dream may be warning you of your dangerous or risky activities. You are literally "playing with fire".

To dream that you are being burned by fire, indicates that your temper is getting out of control. Some issue or situation is burning you up inside.

To dream that a house is on fire, indicates that you need to undergo some transformation. If you have recurring dreams of your family house on fire, then it suggests that you are still not ready for the change or that you are fighting against the change. Alternatively, it highlights passion and the love of those around you.

To dream that you put out a fire, signifies that you will overcome your obstacles in your life through much work and effort. If you are setting a fire to something or even to yourself, then it indicates that you are undergoing some great distress. You are at the brink of desperation and want to destroy something or some aspect of yourself.

Fire is favorable to the dreamer if he does not get burned. It brings continued prosperity to seamen and voyagers, as well as to those on land.

To dream of seeing your home burning, denotes a loving companion, obedient children, and careful servants.

For a business man to dream that his store is burning, and he is looking on, foretells a great rush in business and profitable results.

To dream that he is fighting fire and does not get burned, denotes that he will be much worked and worried as to the conduct of his business. To see the ruins of his store after a fire, forebodes ill luck. He will be almost ready to give up the effort of amassing a handsome fortune and a brilliant business record as useless, but some unforeseen good fortune will bear him up again.

If you dream of kindling a fire, you may expect many pleasant surprises.
You will have distant friends to visit.
To see a large conflagration, denotes to sailors a profitable and safe voyage. To men of literary affairs, advancement and honors; to business people, unlimited success.

Health and great happiness, kind relations and warm friends.

Depending on the context of your dream, to see fire in your dream can symbolizes destruction, passion, desire, illumination, transformation, enlightenment, or anger. It may suggest that something old is passing and something new is entering your life. Your thoughts and views are changing. In particular, if the fire is under control or contained in one area, it is a metaphor of your own internal fire and inner transformation. It also represents your drive and motivation. Dreaming of that you are being burned by fire indicates that your temper is getting out of control. Some issue or situation is burning you up inside. Dreaming that a house is on fire means passion and loving companions. Dreaming that you put out a fire means that you will overcome your obstacles in your life through much work and effort.

This is a very complex symbol that can have both negative and positive connotations. When interpreting this dream, you need to consider all of its details and your emotional responses in the dream. Fire can be a deeply spiritual symbol representing transformation and enlightenment. On the other hand, it could represent danger, anger, passion, pain or fear. A warm fireplace can symbolize happiness and security. Is the fire in your dream destroying something or simply warming you? Are you currently engaging in negative behaviors, or are you knowingly making wrong (or destructive) choices? Are you putting out fires in your dream? Your unconscious mind may be warning you and at the same time encouraging you to alter those things in your life that may be hurtful and dangerous.

To see your brother in your dream, symbolizes some aspect of your relationship with him. It can also serve to remind you that someone in your waking life has certain characteristics or behaviors similar to your brother.

If you do not have a brother and dream that you have one, then he may symbolize characteristics that you need to acknowledge within yourself. The brother in your dream can also be synonymous with a close friend or buddy. Brother also has religious implications and thus represents spiritual issues. Consider also the familiar phrase "big brother is watching you" which indicate that your dream has to deal with issues of authority and oppression.

To dream that you are mad or angry at your brother, signifies repressed anger that you are feeling but afraid to express in your waking life.

Dreaming of your brother, may symbolize some aspect of your relationship with him. It can also serve to remind you that someone in your waking life has certain characteristics/behavior similar to your brother's. If you do not have a brother and dream that you have one, then he may symbolize characteristics that you need to acknowledge within yourself. The brother can also be synonymous with a close friend or buddy. Brother also has religious implications and thus represents spiritual issues. Consider also the familiar phrase "big brother is watching you" which indicate that your dream has to deal with issues of authority and oppression. Dreaming that you are mad or angry at your brother means repressed anger that you are feeling but afraid to express in your waking life.

Its significance is diverse, depending upon which of its different characteristics is taken as fundamental. In the Egyptian system of hieroglyphs, the
wall is a determinative sign conveying the idea of ‘rising above the common level’
(19); clearly the predominant sense here is that of its height. A wall enclosing a
space is the ‘wall of lamentations’, symbolic of the sensation of the world as a
‘cavern’—of the doctrine of immanentism or the metaphysical notion of the
impossibility of reaching the outside. It expresses the ideas of impotence, delay,
resistance, or a limiting situation. Now, the wall seen from within as an enclosure
has a secondary implication of protection which, according to its function and the
attitude of the individual, may even be taken as its principal meaning. Psychoanalysts frequently regard it in this light and hence have classified it as a mothersymbol, comparable with the town and the house or home (56). Bayley sums up the two essential features of the wall as follows: Like the house, it is a mystic
symbol representing the feminine element of mankind. This enables us to understand the (otherwise absurd) assertion of the Shulamite in the Song of Songs: ‘I
am a wall’. At the same time, this image has another term of comparison, that of
matter as opposed to spirit (4). It should be noted that the symbolism in the latter
case remains unchanged, since matter corresponds to the passive or feminine
principle, and spirit to the active or masculine.

The point signifies unity, the Origin and the Centre. It also represents
the principles of manifestation and emanation, and hence in some mandalas the
centre is not actually shown but must be imagined by the initiate. There are two
kinds of point to be considered: that which has no magnitude and is symbolic of
creative virtue, and that which—as suggested by Raymond Lull in his Nova
Geometria—has the smallest conceivable or practicable magnitude and is a symbol of the principle of manifestation. Moses of Leon defined the nature of the
original Point as follows: ‘This degree is the sum total of all subsequent mirrors,
that is, of all external aspects related to this one degree. They proceed therefrom
because of the mystery of the point, which is in itself an occult degree emanating
from the mystery of the pure and awe-inspiring ether. The first degree of all is
absolutely occult, that is, not manifest, and cannot be attained’ (25). This explains why the Centre—identical with the mystic point of Moses of Leon—is
usually represented as a hole.

To see something pointed in your dream, represents action, urgency and completion. The dream suggests that you have arrived to a decision or common understanding. Alternatively, the dream may also be a metaphor that there is a point to your dream. Or you need to get your point across.

To dream that you are being forced to do something, indicates negative feelings that are being pushed out of the unconscious. Feelings of hate, aggression or anger which you may have suppressed need to be addressed head on.

To dream that you are on the ground, represents your foundation and support system. It is also the boundary between your conscious and unconscious. You may be getting closer in confronting and acknowledging your unconscious thoughts. The dream may be a pun on being well-grounded and down to earth or that you have been grounded. Perhaps you are feeling restricted in some aspects of your life.

Dreaming that you are on the ground, represents your foundation and support system. It is also the boundary between your conscious and unconscious. You may be getting closer in confronting and acknowledging your unconscious thoughts. The dream may be a pun on being well-grounded and down to earth. It may also be a pun on being grounded. Perhaps you are feeling restricted in some aspects of your life.

The tree is one of the most essential of traditional symbols. Very often
the symbolic tree is of no particular genus, although some peoples have singled
out one species as exemplifying par excellence the generic qualities. Thus, the oak
was sacred to the Celts; the ash to the Scandinavian peoples; the lime-tree in Germany; the fig-tree in India. Mythological associations between gods and trees
are extremely frequent: so, Attis and the pine; Osiris and the cedar; Jupiter and
the oak; Apollo and the laurel, etc. They express a kind of ‘elective correspondence’ (26, 17). In its most general sense, the symbolism of the tree denotes the
life of the cosmos: its consistence, growth, proliferation, generative and regenerative processes. It stands for inexhaustible life, and is therefore equivalent to a
symbol of immortality. According to Eliade, the concept of ‘life without death’
stands, ontologically speaking, for ‘absolute reality’ and, consequently, the tree
becomes a symbol of this absolute reality, that is, of the centre of the world.
Because a tree has a long, vertical shape, the centre-of-the-world symbolism is
expressed in terms of a world-axis (17). The tree, with its roots underground and
its branches rising to the sky, symbolizes an upward trend (3) and is therefore
related to other symbols, such as the ladder and the mountain, which stand for the
general relationship between the ‘three worlds’ (the lower world: the underworld,
hell; the middle world: earth; the upper world: heaven). Christian symbolism—
and especially Romanesque art—is fully aware of the primary significance of the
tree as an axis linking different worlds (14). According to Rabanus Maurus,
however, in his Allegoriae in Sacram Scripturam (46), it also symbolizes human
nature (which follows from the equation of the macrocosm with the microcosm).
The tree also corresponds to the Cross of Redemption and the Cross is often
depicted, in Christian iconography, as the Tree of Life (17). It is, of course, the
vertical arm of the Cross which is identified with the tree, and hence with the
‘world-axis’. The world-axis symbolism (which goes back to pre-Neolithic times)
has a further symbolic implication: that of the central point in the cosmos. Clearly,
the tree (or the cross) can only be the axis linking the three worlds if it stands in
the centre of the cosmos they constitute. It is interesting to note that the three
worlds of tree-symbolism reflect the three main portions of the structure of the
tree: roots, trunk and foliage. Within the general significance of the tree as worldaxis and as a symbol of the inexhaustible life-process (growth and development),
different mythologies and folklores distinguish three or four different shades of
meaning. Some of these are merely aspects of the basic symbolism, but others are
of a subtlety which gives further enrichment to the symbol. At the most primitive
level, there are the ‘Tree of Life’ and the ‘Tree of Death’ (35), rather than, as in
later stages, the cosmic tree and the tree of the knowledge of Good and Evil; but
the two trees are merely two different representations of the same idea. The
arbor vitae is found frequently, in a variety of forms, in Eastern art. The—
apparently purely decorative—motif of hom (the central tree), placed between
two fabulous beings or two animals facing each other, is a theme of Mesopotamian origin, brought both to the West and to the Far East by Persians, Arabs and
Byzantines (6). In Romanesque decoration it is the labyrinthine foliage of the
Tree of Life which receives most emphasis (the symbolic meaning remaining
unchanged, but with the addition of the theme of Entanglement) (46). An important point in connexion with the ‘cosmic tree’ symbol is that it often appears
upside down, with its roots in heaven and its foliage on earth; here, the natural
symbolism based on the analogy with actual trees has been displaced by a meaning expressing the idea of involution, as derived from the doctrines of emanation:
namely, that every process of physical growth is a spiritual opus in reverse.
Thus, Blavatsky says: ‘In the beginning, its roots were generated in Heaven, and
grew out of the Rootless Root of all-being. . . . Its trunk grew and developed,
crossing the plains of Pleroma, it shot out crossways its luxuriant branches, first
on the plane of hardly differentiated matter, and then downward till they touched
the terrestrial plane. Thus . . . (it) is said to grow with its roots above and its
branches below’ (9). This concept is already found in the Upanishads, where it is
said that the branches of the tree are: ether, air, fire, water and earth. In the Zohar
of Hebrew tradition it is also stated that ‘the Tree of Life spreads downwards
from above, and is entirely bathed in the light of the sun’. Dante, too, portrays the
pattern of the celestial spheres as the foliage of a tree whose roots (i.e. origin)
spread upwards (Uranus). In other traditions, on the other hand, no such inversion occurs, and this symbolic aspect gives way to the symbolism of vertical
upward growth. In Nordic mythology, the cosmic tree, called Yggdrasil, sends its
roots down into the very core of the earth, where hell lies (Völuspâ, 19;
Grimnismâl, 31) (17).
We can next consider the two-tree symbolism in the Bible. In Paradise there
were the Tree of Life and the tree of the knowledge of good and evil. Both were
centrally placed in the Garden of Eden. In this connexion, Schneider says (50):
‘Why does God not mention the Tree of Life to Adam? Is it because it was a
second tree of knowledge or is it because it was hidden from the sight of Adam
until he came to recognize it with his new-found knowledge of good and evil—of
wisdom? We prefer the latter hypothesis. The Tree of Life, once discovered, can
confer immortality; but to discover it is not easy. It is “hidden”, like the herb of
immortality which Gilgamesh seeks at the bottom of the sea, or is guarded by
monsters, like the golden apples of the Hesperides. The two trees occur more
frequently than might be expected. At the East gate of the Babylonian heaven, for
instance, there grew the Tree of Truth and the Tree of Life.’ The doubling of the
tree does not modify the symbol’s fundamental significance, but it does add
further symbolic implications connected with the dual nature of the Gemini: the tree, under the influence of the symbolism of the number two, then reflects the
parallel worlds of living and knowing (the Tree of Life and the Tree of Knowledge). As is often the case with symbols, many more specialized meanings have
been developed on the basis of the general tree-symbolism already outlined. Here
are a few: firstly, the triple tree. According to Schneider, the Tree of Life, when it
rises no higher than the mountain of Mars (the world of phenomena) is regarded
as a pillar supporting heaven. It is made up of three roots and three trunks—or
rather one central trunk with two large boughs corresponding to the two peaks of
the mountain of Mars (the two faces of Janus). Here the central trunk or axis
unifies the dualism expressed in the two-tree symbolism. In its lunar aspect, it is
the Tree of Life and emphasizes the moon’s identification with the realm of
phenomena; in its solar aspect it relates to knowledge and death (which, in symbolism, are often associated). In iconography, the Tree of Life (or the lunar side of
a double or triple tree) is depicted in bloom; the tree of death or knowledge (or the
solar side of a double or triple tree) is dry, and shows signs of fire (50). Psychology has interpreted this symbolic duality in sexual terms, Jung affirming that the
tree has a symbolic, bisexual nature, as can also be seen in the fact that, in Latin,
the endings of the names of trees are masculine even though their gender is
feminine (31). This conjunctio confirms the unifying significance of the cosmic
tree. Other symbols are often brought into association with the tree, sometimes
by analogy with real situations, sometimes through the juxtaposition of psychic
images and projections. The resulting composite symbolism is, of course, richer
and more complex, but also more specific, and consequently less spontaneous
and of less scope. The tree is frequently related to the rock or the mountain on
which it grows. On the other hand, the Tree of Life, as found in the celestial
Jerusalem, bears twelve fruits, or sun-shapes (symbols of the Zodiac, perhaps).
In many images, the sun, the moon and the stars are associated with the tree, thus
stressing its cosmic and astral character. In India we find a triple tree, with three
suns, the image of the Trimurti; and in China a tree with the twelve suns of the
Zodiac (25). In alchemy, a tree with moons denotes the lunar opus (the Lesser
Work) and the tree with suns the solar opus (the Great Work). The tree with the
signs of the seven planets (or metals) stands for prime matter (protohyle), from
which all differentiations emerge. Again, in alchemy, the Tree of Knowledge is
called arbor philosophica (a symbol of evolution, or of the growth of an idea, a
vocation or a force). ‘To plant the philosophers’ tree’ is tantamount to stimulating the creative imagination (32). Another interesting symbol is that of the ‘seatree’ or coral, related to the mythic sea king. The fountain, the dragon and the
snake are also frequently related to the tree. Symbol LVII of Bosch’s Ars Symbolica shows the dragon beside the tree of the Hesperides. As regards the symbolism of
levels, it is possible to establish a vertical scale of analogies: dragons and snakes
(primal forces) are associated with the roots; the lion, the unicorn, the stag and
other animals expressing the ideas of elevation, aggression and penetration, correspond to the trunk; and birds and heavenly bodies are brought into relation with
the foliage. Colour correspondences, are: roots/black; trunk/white; foliage/red.
The snake coiled round the tree introduces another symbol, that of the spiral. The
tree as world-axis is surrounded by the sequence of cycles which characterizes
the revealed world. This is an interpretation applicable to the serpent watching at
the foot of the tree on which the Golden Fleece is suspended (25). Endless
instances could be quoted of such associations of symbols, full of psychological
implications. Another typical combination of symbols, extremely frequent in
folktales, is that of the ‘singing tree’. In the Passio S. Perpetuae XI (Cambridge,
1891) we read that St. Saturius, a martyr alongside St. Perpetua, dreamed on the
eve of his martyrdom ‘that, having shed his mortal flesh, he was carried eastward
by four angels. Going up a gentle slope, they reached a spot bathed in the most
beautiful light: it was Paradise opening before us’, he adds, ‘like a garden, with
trees bearing roses and many other flower-blooms; trees tall as cypresses, singing
the while’ (46). The sacrificial stake, the harp-lyre, the ship-of-death and the
drum are all symbols derived from the tree seen as the path leading to the other
world (50) (Plate XXIX). Gershom G. Scholem, in Les Origines de la Kabbale,
speaks of the symbolism of the tree in connexion with hierarchical, vertical structures (such as the ‘sefirothic tree’ of the Cabbala, a theme that we cannot develop
here). He asks himself whether the ‘tree of Porphyry’, which was a widespread
symbol during the Middle Ages, was of a similar nature. In any case, it is reminiscent of the Arbor elementalis of Raymond Lull (1295), whose trunk symbolizes
the primordial substance of Creation, or hyle, and whose branches and leaves
represent its nine accidents. The figure ten has the same connotation as in the
sefiroth, the ‘sum of all the real which can be determined by numbers’.

The tree in your dream is you. The health, size and overall quality of the tree is indicative of how you feel about yourself. This interpretation is to be made only when the tree is the focal point of the dream. Also, consider whether the tree is alive with leaves, flowers or fruit, or if it's barren. You may see trees in your dream as a part of a landscape or as a secondary symbol. At those times, consider all of the details as they may have different interpretations than the one just given.

To see or spin a top in your dream, represents idleness. You are not going anywhere in life and are wasting your time away on frivolous pleasures.

To dream that you are on top, signifies your goals, aspirations and ideals. You are seeking higher understanding and knowledge.

Seeing or spin a top in your dream, represents idleness. You are wasting your time away on frivolous pleasures. Dreaming that you are on top means your aspirations and ideals. You are seeking higher understanding and knowledge.