To dream of your brain, suggests that you are under severe intellectual stress. You need to put your problem-solving abilities to use. Alternatively, it implies that your ideas are not receiving enough attention and validation. You are concerned that your knowledge and teachings are not be transmitted clearly.

To dream that you are undergoing brain surgery, indicates that you need to rethink some important issue. You need to change your way of thinking and put aside any misconceived notions you have.

To see your own brain in a dream, denotes uncongenial surroundings will irritate and dwarf you into an unpleasant companion. To see the brains of animals, foretells that you will suffer mental trouble.

If you eat them, you will gain knowledge, and profit unexpectedly.

Dreaming of your brain, suggests that you are under severe intellectual stress. It may also symbolize your problem-solving abilities and that you need to put those abilities to use. Alternatively, it may imply that your ideas are not receiving enough attention and validation. You are concerned that your knowledge and teachings are not be transmitted clearly.

Pink usually symbolises health and good feelings. It is a traditionally a feminine colour, and some feel that it signifies love.

Man comes to see himself as a symbol in so far as he is conscious of his
being. Hallstatt art, in Austria, shows fine examples of animal-heads with human
figures appearing above them. In India, in New Guinea, in the West as well, the
bull’s or ox’s head with a human form drawn between the horns is a very common
motif. Since the bull is a symbol for the father-heaven, man comes to be seen as
both his and the earth’s son (22), also, as a third possibility, the son of the sun and
the moon (49). The implications of Origen’s remark: ‘Understand that you are
another world in miniature and that in you are the sun, the moon and also the
stars’, are to be found in all symbolic traditions. In Moslem esoteric thought, man
is the symbol of universal existence (29), an idea which has found its way into
contemporary philosophy in the definition of man as ‘the messenger of being’;
however, in symbolic theory, man is not defined by function alone (that of
appropriating the consciousness of the cosmos), but rather by analogy, whereby
he is seen as an image of the universe. This analogical relationship is sometimes
expressed explicitly, as in some of the more ancient sections of the Upanishads—
the Brihadaranyaka and the Chandogya for instance—where the analogy between the human organism and the macrocosmos is drawn step by step by means
of correspondences with the organs of the body and the senses (7). So, for
example, the components of the nervous system are derived from fiery substance, and blood from watery substance (26). These oriental concepts first
appear in the West during the Romanesque period: Honorius of Autun, in his Elucidarium (12th century) states that the flesh (and the bones) of man are
derived from the earth, blood from water, his breath from air, and body-heat from
fire. Each part of the body relates to a corresponding part of the universe: the
head corresponds to the heavens, the breath to air, the belly to the sea, the lower
extremities to earth. The five senses were given analogies in accordance with a
system which came to Europe, perhaps, from the Hebrews and the Greeks (14).
Thus, Hildegard of Bingen, living in the same period, states that man is disposed
according to the number five: he is of five equal parts in height and five in girth; he
has five senses, and five members, echoed in the hand as five fingers. Hence the
pentagram is a sign of the microcosmos. Agrippa of Nettesheim represented this graphically, after Valeriano, who drew the analogy between the five-pointed star
and the five wounds of Christ. There is a relationship, too, between the organic
laws of Man and the Cistercian temple (14). Fabre d’Olivet, following the Cabala,
maintains that another number closely associated with the human being is nine—
the triple ternary. He divides human potentialities into three planes: those of the
body, of the soul or life and of the spirit. Each of these planes is characterized by
three modes: the active, the passive and the neutral (43). In the Far East, also,
speculation about the symbolism of man began very early. The same kind of
triple ternary organization is to be seen in the ancient teachings of the Taoists
(13). It is also interesting to note that there is a relationship between the human
being and the essential or archetypal animals (the turtle, the phoenix, the dragon
and the unicorn) who appear to bear the same relation to man—who is central—
as the tetramorphs do to the Pantokrator. Now, between man as a concrete
individual and the universe there is a medial term—a mesocosmos. And this
mesocosmos is the ‘Universal Man’, the King (Wang) in Far Eastern tradition,
and the Adam Kadmon of the Cabala. He symbolizes the whole pattern of the
world of manifestation, that is, the complete range of possibilities open to mankind. In a way, the concept corresponds to Jung’s ‘collective unconscious’. According to Guénon, Leibniz—perhaps influenced by Raymond Lull—conceded
that every ‘individual substance’ must contain within itself an integral reproduction of the universe, even if only as an image, just as the seed contains the totality
of the being into which it will develop (25). In Indian symbolism, Vaishvânara, or
the ‘Universal Man’, is divided into seven principal sections: (1) The superior,
luminous spheres as a whole, or the supreme states of being; (2) the sun and the
moon—or rather, the principles to which they pertain—as expressed in the right
and the left eye respectively; (3) the fire-principle—the mouth; (4) the directions
of space—the ears; (5) the atmosphere—the lungs; (6) the intermediary zone
between earth and heaven—the stomach; (7) the earth—the natural functions or
the lower part of the body. The heart is not mentioned, because, being the ‘centre’
or dwelling-place of Brahma, it is regarded as being beyond the ‘wheel’ of things
(26). Now, this concept of the ‘Universal Man’ implies hermaphroditism, though
never specifically. For the concrete, existential human being, in so far as he is
either a man or a woman, represents the dissected ‘human’ whole, not only in the
physical sense but also spiritually. Thus, to quote the Upanishads: ‘He was, in
truth, as big as a man and a woman embracing. He divided this atman into two
parts; from them sprang husband and wife.’ In Western iconography one sometimes finds images which would seem to be echoes of this concept (32). A human
couple, by their very nature, must always symbolize the urge to unite what is in
fact discrete. Figures which are shown embracing one another, or joining hands, or growing out of roots which bind them together, and so on, symbolize ‘conjunction’, that is, coincidentia oppositorum. There is a Hindu image representing the
‘joining of the unjoinable’ (analogous to the marriage of fire and water) by the
interlinking of Man and Woman, which may be taken to symbolize the joining of
all opposites: good and bad, high and low, cold and hot, wet and dry, and so on
(32). In alchemy, Man and Woman symbolize sulphur and mercury (the metal).
In psychology, level-symbolism is often brought to bear upon the members of the
body, so that the right side corresponds to the conscious level and the left to the
unconscious. The shapes of the parts of the body, depending upon whether they
are positive or negative—whether they are protuberances or cavities—should be
seen not only as sex-symbols but also in the light of the symbolism of levels. The
head is almost universally regarded as a symbol of virility (56). The attitudes
which the body may take up are of great symbolic importance, because they are
both the instrument and the expression of the human tendency towards ascendence
and evolution. A position with the arms wide open pertains to the symbolism of
the cross. And a posture in the form of the letter ‘X’ refers to the union of the two
worlds, a symbol which is related to the hour-glass, the ‘X’ and all other symbols
of intersection (50). Another important posture is that of Buddha in the traditional iconography of the Orient, a posture characteristic also of some Celtic gods
such as the so-called ‘Bouray god’ or the famous Roquepertuse figure. This
squatting position expresses the renunciation of the ‘baser part’ and of ambulatory movement and symbolizes identification with the mystic centre.

To see a man in your dream, denotes the aspect of yourself that is assertive, rational, aggressive, and/or competitive. Perhaps you need to incorporate these aspects into your own character. If the man is known to you, then the dream may reflect you feelings and concerns you have about him.

If you are a woman and dream that you are in the arms of a man, then it suggests that you are accepting and welcoming your stronger assertive personality. It may also highlight your desires to be in a relationship and your image of the ideal man.

To see an old man in your dream, represents wisdom or forgiveness. The old man may be a archetypal figure who is offering guidance to some daily problem.

To dream of a man, if handsome, well formed and supple, denotes that you will enjoy life vastly and come into rich possessions. If he is misshapen and sour-visaged, you will meet disappointments and many perplexities will involve you.

For a woman to dream of a handsome man, she is likely to have distinction offered her. If he is ugly, she will experience trouble through some one whom she considers a friend.

Seeing a man in your dream indicates the masculine aspect of yourself - the side that is assertive, rational, aggressive, and/or competitive. If the man is known to you, then the dream may reflect you feelings and concerns you have about him. If you are a woman and dream that you are in the arms of a man, suggests that you are accepting and welcoming your stronger assertive personality . It may also highlight your desires to be in a relationship and your image of the ideal man. Seeing an old man in your dream, represents wisdom or forgiveness.

All different kinds of people clutter our dream landscape. The men in your dream may include family members or total strangers. You may dream about your father, son, husband, or friend and should interpret the dream according to its details. A man, particularly the father figure, may represent collective consciousness and the traditional human spirit. He is the Yang and his energy, when mobilised, creates the earthly realities. Depending on the details of the dream, the masculine figure could be interpreted as the Creator or Destroyer. At times, women dream about men that are strangers to them. These men may represent the women's unconscious psychic energy. At times, a strange and ominous man in men's dreams could represent their "shadow" or their negativity and darker sides of personality.

To dream that you are driving a car, denotes your ambition, your drive and your ability to navigate from one stage of your life to another. Consider how smooth or rough the car ride is. If you are driving the car, then you are taking an active role in the way your life is going. However, if you are the passenger, then you are taking a passive role. If you are in the backseat of the car, then it indicates that you are putting yourself down and are allowing others to take over. This may be a result of low self-esteem or low self-confidence. Overall, this dream symbol is an indication of your dependence and degree of control you have on your life.

To dream that your car won't start, indicates that you are feeling powerless in some situation.

To dream that you forgot or can't find where you parked your car, indicates that you are dissatisfied or unhappy with an aspect of your waking life. You do not know what you really want to do with your life or where you want to go. To dream that you car has been stolen, indicates that you are being stripped of your identity. This may relate to losing your job, a failed relationship, or some situation which has played a significant role in your identity and who you are as a person.

To dream that your car is overheating, suggests that you are expending too much energy. You need to slow down or run the risk of being burnt out. You are taking on more than you can handle. It is time to take a breather.

To see a parked car in your dream, suggests that you need to turn your efforts and energies elsewhere. You may be needlessly spending your energy in a fruitless endeavor. Alternatively, a parked car may symbolize your need to stop and enjoy life.

To dream that you are almost hit by a car, suggests that your lifestyle, beliefs or goals may be in conflict with another's. It may also be symbolic of a jolting experience or injured pride.

To dream that you are unable to roll up the windows of your car, suggests that you are showing some hesitation and reservation about the direction that you are taking in life or the path that you have chosen.

To see a haunted car in your dream, represents unfinished goals. You had started off on a path or journey, but never reached the end. Perhaps life had taken you on a different direction that you had planned or intended.

Dreaming that you are driving a car means your ambition, your drive and your ability to navigate from one stage of your life to another. Consider how smooth or rough the car ride is. Whether you are driving the car or a passenger, is indicative of of your active role or passive role in your life. If you are in the backseat of the car, then it indicates that you are putting yourself down and are allowing others to take over. This may be a result of low self-esteem or low self-confidence. Overall, this dream symbol is an indication of your dependence and degree of control you have on your life. Dreaming that your car is overheating, suggests that you are expending too much energy and need to slow down or run the risk of becoming burnt out. You may be taking on more than you can handle. It is time to take a breather. Seeing a parked car in your dream, suggests that you need to turn your efforts and energies elsewhere. You may be needlessly spending your energy in a fruitless endeavor. Alternatively, a parked car my symbolize your need to stop and enjoy life. Dreaming that you are almost hit by a car, suggests that your lifestyle, beliefs or goals may be in conflict with another's. It may also be symbolic of a jolting experience or injured pride. Dreaming that you are unable to roll up the windows of your car, suggests that you are showing some hesitation and reservation about the direction that you are taking in life or the path that you have chosen.

The car in your dream may symbolise the physical self or ego development and ego function. In that, it represents the way that you travel through your life's journey. Consider all of the details in the dream, including its emotional content (e.g. difficulty of the road, identity of the driver, direction of the incline). Recurring car dreams usually deal with life's major themes that may include issues of control and sensibility. By carefully examining this dream, you may gain insight into important areas of life, including to how well you are navigating from one stage of your life to another, if you are assertive and take charge or are passive. Dreaming about travelling in a car is a very, very common dream theme that provides valuable information in regard to a specific part of or long-standing theme in your life's journey.

Mystics have always traditionally considered the feminine aspect of
the universe as a chest, a house or a wall, as well as an enclosed garden. Another
symbolic association is that which equates the house (and the above, related
forms) with the repository of all wisdom, that is, tradition itself (4). In architectural symbolism, on the other hand, the house carries not only an overall symbolism but also particular associations attached to each of its component parts.
Nevertheless, the house as a home arouses strong, spontaneous associations with
the human body and human thought (or life, in other words), as has been confirmed empirically by psychoanalysts. Ania Teillard explains this by pointing
out that, in dreams, we employ the image of the house as a representation of the
different layers of the psyche. The outside of the house signifies the outward
appearance of Man: his personality or his mask. The various floors are related to
the vertical and spatial symbols. The roof and upper floor correspond to the head
and the mind, as well as to the conscious exercise of self-control. Similarly, the
basement corresponds to the unconscious and the instincts (just as sewers do, in
symbols pertaining to the city). The kitchen, since this is where foodstuff is
transformed, sometimes signifies the place or the moment of psychic transmutation in the alchemical sense. The intercommunicating rooms speak for themselves. The stairs are the link between the various planes of the psyche, but their
particular significance depends upon whether they are seen as ascending or descending. Finally, there is, as we have said, the association of the house with the
human body, especially regarding its openings, as was well understood by
Artemidorus Daldianus (56).

To see a house in your dream, represents your own soul and self. Specific rooms in the house indicate a specific aspect of your psyche. In general, the attic represents your intellect, the basement represents the unconscious, etc. If the house is empty, then it indicates feelings of insecurity. If the house is shifting, then it suggests that you are going through some personal changes and changing your belief system. To dream that a house has no walls, represents a lack of privacy. You feel that everyone is looking over your shoulder or up in your business.

To dream that you are cleaning your house, signifies your need to clear out your thoughts and get rid of old ways. You are seeking self-improvement.

If you live with others in your waking life, but dream that you are living alone, suggests that you need to take new steps toward independence. You need to accept responsibilities and be more self-reliant.

To see an old, run-down house in your dream, represents your old beliefs, attitudes and how you used to think or feel. A situation in your current life may be bringing about those same old attitudes and feelings. Alternatively, the old house may symbolize your need to update you mode of thinking. To dream that your house is damaged, indicates your waking concerns about the condition of your house.

To see a new house in your dream, indicates that you are entering into a new phase or new area in your life. You are becoming more emotionally mature. If you are locked out of the house, then it represents rejection and insecurity. You feel you are being left behind.

To dream that your house is broken into, suggests that you are feeling violated. It may refer to a particular relationship or current situation in your life. Alternatively, it indicates that some unconscious material is attempting to make itself known. There are some aspects of yourself that you have denied.

To dream of a haunted house, signifies unfinished emotional business, related to your childhood family, dead relatives, or repressed memories and feelings.

To dream that a house has disappeared, indicates that you are not feeling grounded. You feel uprooted by a particular circumstance or relationship in your life.

To dream that water is rising up in your house, suggests that you are becoming overwhelmed by your emotions.

To dream of building a house, you will make wise changes in your present affairs.

To dream that you own an elegant house, denotes that you will soon leave your home for a better, and fortune will be kind to you.

Old and dilapidated houses, denote failure in business or any effort, and declining health.

Seeing a house in your dream, represents your own soul and self. Specific rooms in the house indicate a specific aspect of your psyche. In general, the attic represents your intellect, the basement represents the unconscious, etc. If the house is empty, then it indicates feelings of insecurity. If the house is shifting, then it suggests that you are going through some personal changes and changing your belief system. Dreaming that you are cleaning your house means your need to clear out your thoughts and getting rid of old ways. You are seeking self-improvement. Seeing an old, run-down house in your dream, represents your old beliefs, attitudes and how you used to think or feel. A situation in your current life may be bringing about those same old attitudes and feelings. Alternatively, the old house may symbolize your need to update you mode of thinking. Dreaming that your house is broken into, suggests that you are feeling violated. It may refer to a particular relationship or current situation in your life. Alternatively, it indicates that some unconscious material is attempting to make itself known. There are some aspects of yourself that you have denied. Dreaming of a haunted house means unfinished emotional business, related to your childhood family, dead relatives, or repressed memories and feelings. Dreaming that a house disappeared, indicates that you are not feeling grounded. You feel uprooted by a particular circumstance or relationship in your life.

It is common to dream about houses. They usually symbolise our emotional and psychological selves. All of your experiences, stages of development, and parts of your conscious and unconscious life may be represented by that house. The house may be representing issues concerning a particular dilemma in your life, or it may be more general and comprehensive. Either way, if you pay attention to the details in this dream, you may learn a thing or two about yourself.

In a manner of speaking, space is an intermediate zone between the
cosmos and chaos. Taken as the realm of all that is possible, it is chaotic; regarded
as the region in which all forms and structures have their existence, it is cosmic.
Space soon came to be associated with time, and this association proved one of
the ways of coming to grips with the recalcitrant nature of space. Another—and
the most important—was the concept of space as a three-part organization based
upon its three dimensions. Each dimension has two possible directions of movement, implying the possibility of two poles or two contexts. To the six points
achieved in this way, there was added a seventh: the centre; and space thus
became a logical structure. The symbolisms of level and of orientation were
finally brought to bear in order to complete the exegesis. The three dimensions of
space are illustrated by means of a three-dimensional cross, whose arms are oriented along these six spatial directions, made up of the four points of the
compass plus the two points of the zenith and the nadir. According to René
Guénon, this symbolism—because of its structural character—is identical with
that of the Sacred Palace (or the inner palace) of the Cabala, located at the centrepoint from which the six directions radiate. In the three-dimensional cross, the
zenith and the nadir correspond to the top and the bottom, the front and back to
East and West, the right and left to the South and North. The upright axis is the
polar axis, the North-South axis is the solstitial line, the East-West the equinoctial. The significance of the vertical or level-symbolism concerns the analogy
between the high and the good, the low and the inferior. The Hindu doctrine of the
three gunas—sattva (height, superiority), rajas (intermediate zone of the world
of appearances, or ambivalence) and tamas (inferiority, or darkness)—is in itself
sufficient to explain the meaning of the symbolism of level up and down the
vertical axis. It is, in consequence, the intermediate plane of the four-directional
cross (that which incorporates the cardinal points and which implies the square)
which represents the world of appearances. Taking next the East-West axis,
traditional orientation-symbolism associates the East—being the point of sunrise—with spiritual illumination; and the West—the point where the sun sets—
with death and darkness. Passing next to the North-South axis, there is no one
definite interpretation. In many oriental cultures, the zenith coincides with the
mystic ‘Hole’ through which transition and transcendence are effected, that is,
the path from the world of manifestation (spatial and temporal) to that of eternity. But it has also been identified with the centre of the three-dimensional cross,
taken as the heart of space. Reduced to two dimensions—those of the contrasting
horizontal and vertical arms—the cross comes to represent harmony between
extension (associated with width) and exaltation (with height). The horizontal
arm concerns the implications of a given gradation or moment in an individual’s
existence, and the vertical pertains to moral elevation (25). William of SaintThierry, describing the seven gradations of the soul, observes that it ascends these
steps in order to reach the celestial life (14). If we seek an interpretation which
will justify the four points of the horizontal plane’s being reduced to two (the left
and right), we can find a basis for it in Jung’s assertion that the rear part coincides
with the unconscious and the front with the manifest or consciousness; and since
the left also can be equated with the unconscious and the right with consciousness, the rear then becomes equivalent to the left and the front to the right (32).
Other equivalents are: left side with the past, the sinister, the repressed, involution, the abnormal and the illegitimate; the right side with the future, the felicitous, openness, evolution, the normal and the legitimate (42). In all this, there is an apparent contradiction with the corresponding number-symbolisms: Paneth
observes that, in most cultures, the uneven numbers are considered to be masculine and the even numbers to be feminine. Since the left side is the zone of origin
and the right that of the outcome, the corresponding number-symbolisms would
seem to be one (the uneven or masculine number) for the left side (that is, the
past) and two (the even or feminine number) for the right side (the subsequent or
outcome). The solution is to be found in the fact that the number one (unity)
never corresponds to the plane of the manifest world or to spatial reality: it is the
symbol of the centre, but not in the sense of occupying any situation in space
which might imply a sequel. Hence we must conclude that two is the number
corresponding to the left side and three is that related to the right. Guénon
explains the way in which the cosmic order conforms with all this in a lucid
exposition of the relevant Hindu doctrines to the effect that the right hand zone is
the solar region; the left-hand the lunar. ‘In the aspect of this symbolism which
refers to the temporal condition, the Sun and the right eye correspond to the
future, the Moon and the left eye to the past; the frontal eye corresponds to the
present which, from the point of view of the manifested, is but an imperceptible
moment, comparable to the geometrical point without dimensions in the spatial
order; that is why a single look from the third eye destroys all manifestation
(which is expressed symbolically by saying that it reduces everything to ashes),
and that is also why it is not represented by any bodily organ; but when one rises
above this contingent point of view, the present is seen to contain all reality (just
as the point carries within itself all the possibilities of space), and when succession is transmuted into simultaneity, all things abide in the “eternal present”, so
that the apparent destruction is truly a “transformation” ‘ (26). Now, the seven
aspects that define space have been regarded as the origin of all septenary groups,
and in particular of the seven planets, the seven colours and the seven kinds of
landscape (50). Hence Luc Benoist can assert that the Christian Church, by
building on earth a mighty, three-dimensional cross of stone, has created for the
entire world the co-ordinate lines of a supernatural geometry. Benoist then quotes
Clement of Alexandria as saying that the six directions of space symbolize—or
are equivalent to—the simultaneous and eternal presence of the six days of the
Creation, and that the seventh day (of rest) signifies the return to the centre and
the beginning (6). Once the cosmic sense of spatial symbolism has been demonstrated, it is simple to deduce its psychological applications. And once the static
laws have been determined, it is easy to grasp the dynamic-implications, always
bearing in mind the symbolism of orientation. Here, we must point out that the
swastika—a solar and polar symbol—implies a movement from right to left, like the apparent movement of the sun; and that Clotho—one of the Parcae—spins
her ‘wheel of destiny’ in the same direction, that is, the opposite way to existence, so destroying it. Right-handedness is characteristic of all symbols of natural
life (28); hence, in the Egyptian system of hieroglyphs, to enter is to go towards
the right and to go out is to go towards the left (19); orienting these hieroglyphs,
we have the right corresponding with the rise and the left with the setting of the
sun. Similarly, the right side takes on an extra implication of birth and life, while
the left side acquires an association with death (17). Another consequence, apparent in allegories and emblems, is that the right side corresponds to the higher
virtues—if one may put it that way—such as compassion, and the left side to
justice. All of the above conclusions are logical deductions drawn from the study
of oriental tradition, supported by the findings of experimental psychology. But
they are conclusions which have also been verified by anthropologists and sociologists in their studies of the habits of diverse peoples. Ania Teillard, for example, has collated a mass of facts; she quotes J. J. Bachofen as asserting (in his
Mutterrecht und Urreligion und Grabersymbolik der Alten) that, in the important
and very common equation ‘right hand=masculinity’, the left hand harbours
magic powers and the right hand the force of reason, and also that in matriarchal
societies one always finds the idea of superiority attributed to the left side, and
conversely. To turn to the left is to look back upon the past, the unconscious,
implying introversion; to turn to the right is to look upon the outside world,
implying action and extraversion. At the same time, ethnologists are agreed that
during the first stage of any period of sun-worship, the right side becomes preeminent, whereas in lunar cults it is the left side which prevails (56). In paintings,
reliefs and other artistic creations of man, the left side is characterized by a more
vivid projection of the self (that is, by identification) and the right side is more
extravert.

Seeing or dreaming that you are in space, represents exploration. You are an independent thinker.

Dreaming that you are standing, suggests that you are asserting yourself and making your thoughts/feelings known. It also indicates that you are proud of yourself.

A feminine symbol (32) which, notwithstanding, contains all the implications of the symbolic hole, since it is the door which gives access to the hole; its
significance is therefore the antithesis of the wall. There is the same relationship
between the temple-door and the altar as between the circumference and the
centre: even though in each case the two component elements are the farthest
apart, they are nonetheless, in a way, the closest since the one determines and
reflects the other. This is well illustrated in the architectural ornamentation of
cathedrals, where the façade is nearly always treated as if it were an altar-piece.

To dream that you are entering through a door, signifies new opportunities that are presented before you. You are entering into a new stage in your life and moving from one level of consciousness to another. In particular, a door that opens to the outside, signifies your need to be more accessible to others, whereas a door that opens into the inside, denotes your desire for inner exploration and self-discovery.

To see an opened door in your dream, symbolizes your receptiveness and willingness to accept new ideas/concepts. In particular, to see a light behind the door, suggests that you are moving toward greater enlightenment/spirituality.

To dream that the door is closed or locked, signifies opportunities that are denied and not available to you or that you have missed out on. Something or someone is blocking your progress. It also symbolizes the ending of a phase or project. In particular, if you are outside the locked door, then it suggests that you have anti-social tendencies. If you are inside the locked door, then it represents harsh lessons that need to be learned.

To dream that you are locking the door, suggests that you are closing yourself off from others. You are hesitant in letting others in and revealing your feelings. It is indicative of some fear and low self-worth. If someone slams the door in your face, then it indicates that you are feeling shut out or some activity or that you are being ignored.

To see revolving doors in your dream, suggests that you are literally moving in circles and going nowhere. You may feel that your opportunities and choices lead to a dead end.

To dream of entering a door, denotes slander, and enemies from whom you are trying in vain to escape. This is the same of any door, except the door of your childhood home. If it is this door you dream of entering, your days will be filled with plenty and congeniality.

To dream of entering a door at night through the rain, denotes, to women, unpardonable escapades; to a man, it is significant of a drawing on his resources by unwarranted vice, and also foretells assignations.

To see others go through a doorway, denotes unsuccessful attempts to get your affairs into a paying condition. It also means changes to farmers and the political world. To an author, it foretells that the reading public will reprove his way of stating facts by refusing to read his later works.

To dream that you attempt to close a door, and it falls from its hinges, injuring some one, denotes that malignant evil threatens your friend through your unintentionally wrong advice. If you see another attempt to lock a door, and it falls from its hinges, you will have knowledge of some friend's misfortune and be powerless to aid him.

Dreaming that you are entering through a door means new opportunities that will be presented before you. You are entering into a new stage in your life and moving from one level of consciousness to another. In particular, a door that opens to the outside means your need to be more accessible to others, whereas a door that opens into the inside indicates your desire for inner exploration and self-discovery. Seeing opened doors in your dream, symbolizes your receptiveness and willingness to accept new ideas/concepts. In particular, to see a light behind it suggests that you are moving toward greater enlightenment/spirituality. Dreaming that the doors are locked means opportunities that are denied and not available to you or that you have missed out on. In particular, if you are outside the locked door, then it suggests that you are having some anti-social tendencies. If you are inside the locked door, then it represents harsh lessons that need to be learned. Dreaming that you are locking doors, suggests that you are closing yourself off from others. You are hesitant in letting others in and revealing your feelings. It is indicative of some fear and low self-worth. Seeing revolving doors in your dream, suggests that you are literally moving in circles and going no where. You may feel that your opportunities and choices lead to a dead end.

Doors are passageways and in our dreams that is their symbolism. Going through a door may represent going from one state of consciousness to another, or from one inner plane to another. Locked or closed doors may represent an obstacle or opportunities that are not currently available to you. Many doors may represent your current choices.

To see a lunatic in your dream, represents an unacknowledged aspect of yourself. You may feel that your opinions and suggestions don't matter or are being ignored. You feel like an outsider. Alternatively, you may feel that you have lost a person, situation, or relationship which you frequently depended on.

Seeing a lunatic in your dream, represents an acknowledged aspect of yourself. You may feel that your opinions and suggestions don't matter or are being ignored. You feel like an outsider. Alternatively, you may feel that you have lost a person, situation, or relationship which you frequently depended on.

To dream that you are in a hall, represents your ability to share and get along with others. If the hall is empty, then it symbolizes the unexplored and untapped aspects of your character. Consider the activity that is taking place in the hall and the people that were there.

To dream that something bursts, indicates that you are under a lot of pressure and stress.

Dreaming that something bursts indicates that you are under a lot of pressure and stress.