I was frozen by cryogenics for at least a year...
Upon the thaw, I was a different person, not just as a metaphor.
Took an abandoned cruise ship over the falls, icy landscape, deserted world.
Some kind of talisman supporting my efforts to keep moving...
rest of it fading away now..
To dream that you are in or see a boat, signifies your ability to cope with and express your emotions. Pay particular attention to the condition and state of the waters, whether it is calm or violent, clear or murky, etc. Are you "smooth sailing"? Alternatively, you may be ready to confront your unconscious and unknown aspects of yourself. The dream could be telling you not to rock the boat and to stay out of harm's way.
To dream that you are trying to jump off a boat, suggests that you want to confront those difficult emotions and approach your problems head on.
Boat signals forecast bright prospects, if upon clear water. If the water is unsettled and turbulent, cares and unhappy changes threaten the dreamer. If with a gay party you board a boat without an accident, many favors will be showered upon you. Unlucky the dreamer who falls overboard while sailing upon stormy waters.
To sail in a boat or ship on smooth waters is lucky. On rough waters, it is unlucky. To
fall into water indicates great peril.
Dreaming that you are in or see a boat means you ability to cope and express your emotions. Pay particular attention to the condition and state of the waters, whether is is calm or violent, clear or murky, etc. Are you "smooth sailing"? Alternatively, you may be ready to confront your unconscious and unknown aspects of yourself. Dreaming that you are trying to jump off a boat, suggests that you want to dive directly in and confront those difficult emotions and approach your problems head on.
As mentioned in all relevant dream symbols, bodies of water represent your unconscious, your emotions and your accumulated soul experiences. Depending on the content of the dream, several different interpretations could be made. The boat in your dream could represent you and the manner you navigate through your emotions. It could symbolize the voyage of your life, an adventure and exploration of your unconscious, or a connection to the people in your dream by pointing out something that all of you have in common ("in the same boat"). When interpreting this dream, consider the kind of voyage and the type of boat. Superstition-based dream interpretation books say that if the voyage is calm, you should go forward with your plans. However, if it is a very stormy voyage, get ready for an emotional upset (or challenge), and if the boat is sinking, be prepared for a hidden danger.
It has a profound and clear-cut symbolism. Berthelot observes that
the Biblical prophets, in order to counter the agrarian religions based on fertility
rites (related, according to Eliade, to orgies), never ceased to describe theirs as the
purest religion of the Israelites ‘when they were in the wilderness’. This confirms
the specific symbolism of the desert as the most propitious place for divine
revelation, for which reason it has been said that ‘monotheism is the religion of
the desert’ (7). This is because the desert, in so far as it is in a way a negative
landscape, is the ‘realm of abstraction’ located outside the sphere of existence
(37), susceptible only to things transcendent. Furthermore, the desert is the
domain of the sun, not as the creator of energy upon earth but as pure, celestial
radiance, blinding in its manifestation. Again: if water is associated with the ideas
of birth and physical fertility, it is also opposed to the concept of the everlasting
spirit; and, indeed, moisture has always been regarded as a symbol of moral
corruption. On the other hand, burning drought is the climate par excellence of
pure, ascetic spirituality—of the consuming of the body for the salvation of the
soul. Tradition provides further corroboration of this symbolism: for the Hebrews, captivity in Egypt was a life held in opprobium, and to go out into the
desert was ‘to go out from Egypt’ (48). Finally, let us point to the emblematic relationship of the desert with the lion, which is a sun-symbol, verifying what we
have said about the solar symbolism of the desert.
To dream that you are walking through a desert, signifies loss and misfortune. You may be suffering from an attack on your reputation. Deserts are also symbolic of barrenness, loneliness and feelings of isolation and hopelessness. The desert landscape may also be a metaphor for feeling deserted and left behind.
To dream of wandering through a gloomy and barren desert, denotes famine and uprisal of races and great loss of life and property.
For a young woman to find herself alone in a desert, her health and reputation is being jeopardized by her indiscretion. She should be more cautious.
Travelling across a desert shows the inevitability of a long and tedious journey.
Accompaniment of sunshine indicates successful journey.
Dreaming that you are walking through a desert means loss and misfortune. You may be suffering from an attack on your reputation. Deserts are also symbolic of barrenness, loneliness and feelings of isolation and hopelessness.
At times a desert in a dream symbolises the unconscious and represents the dreamer's sense of separation from it. Deserts are generally barren with little vegetation or animal life. The desert in your dreams could be bringing up issues of stagnation and periods of little growth in your life. Also, the desert could represent your loneliness and feelings of isolation. However, if you live close to the desert or love the desert, this may be a positive symbol. For some the desert may be a place where they can commune with nature and feel a sense of peace.
To dream of a waterfall, foretells that you will secure your wildest desire, and fortune will be exceedingly favorable to your progress.
To see a waterfall in your dream, is symbolic of letting go. You are releasing all those pent up emotions and negative feelings. Alternatively, the dream represents your goals and desires. In particular, if the waterfall is clear, then it represents revitalization, regeneration and renewal.
To dream that you are at the bottom of the waterfall, suggests that you are feeling emotionally overwhelmed. You are experiencing difficulties in coping with your feelings.
Seeing a waterfall in your dream, is symbolic of letting go. You are releasing all those pent up emotions and negative feelings. The dream may also represent your goals and desires. In particular, if the waterfall is clear, then it represents revitalization and renewal. Dreaming that you are at the bottom of the waterfall, suggests that you are feeling emotionally overwhelmed. You are experiencing difficulties in coping with your feelings.
To dream that you are in the future, signifies your hopes or your fears of how things will turn out. You are feeling apprehensive about the future.
To dream of the future, is a prognostic of careful reckoning and avoiding of detrimental extravagance.
Dreaming that you are in the future means your hopes or your fears of how things will turn out depending on the scenario.
To dream that you are moving away, signifies your desire or need for change. It may also mean an end to a situation or relationship; you are moving on. Alternatively, it indicates your determination and issues regarding dependence/independence.
Dreaming that you are moving away means your desire or need for change. It may also mean an end to a situation or relationship and your are moving on. Alternatively, it indicates your determination and issues regarding dependence/independence.
To dream that you wear a talisman, implies you will have pleasant companions and enjoy favors from the rich. For a young woman to dream her lover gives her one, denotes she will obtain her wishes concerning marriage.
To dream that you are wearing a talisman, indicates that you are in need of protection. Sometimes you need to put away your pride and know when to ask for outside help.
Dreaming that you are wearing a talisman means pleasant friends and living the good life. Dreaming that you lover gives you a talisman indicates that you will marry successful.
Symbolically, the world is the realm in which a state of existence is
unfolded (25), comprising many component parts adhering together. Used in the
plural, the term pertains, in a sense, to space-symbolism, but the ‘worlds’ are
really only different modes of the spirit (26). The explanation of the cosmic and
moral significance of the three worlds (the infernal, the terrestrial and the celestial) is to be sought in the symbolism of level. The inferior must not always be
equated with the subterranean, for, in megalithic cultures, the latter was usually
located high up, or in the hollow interior of mountains (conceived as the dwellingplace of the dead). Guénon has pointed out that references to the ‘subterranean
world’ are found in a large number of cultural traditions, in which the ‘cult of the
cavern’ or cave is linked with that of the ‘centre’. One must also bear in mind the
equation of the cavern with the cave of the heart, the latter being considered as the
Centre of being or the Egg of the World (28).
To dream that it is the end of the world, suggests that you are under a tremendous level of stress. You may be feeling vulnerable or helpless in some situation.
To dream that you are saving the world, signifies confidence in your abilities and belief in yourself. You have a positive perspective on life and in where you are headed. Don't let someone or something prevent you from progressing forward or question your abilities.
Dreaming that it is the end of the world, suggests that you are under a tremendous level of stress. You may be feeling vulnerable or helpless in some situation. Dreaming that you are saving the world means confidence in your abilities and belief in yourself. You do not let others question your intelligence or your abilities and generally have a good perspective on life and what your goals are. Don't let someone or something prevent you from progressing forward.
Planet: Saturn.
Positive associations with this tarot card:
fulfillment, completion, satisfaction, joy, wholeness, success.
Negative associations with this tarot card:
stagnation, lack of will, impatience, delays.
The World heralds the arrival of your heart's desire, whatever that may be, a time of achievement, recognition, success and triumph.
This card signals a time of enjoyment, of holidays and travel, time with loved ones, a fulfilling relationship is on offer and spoiling yourself with the material things you've been wanting.
The World also marks the end of one cycle and the beginning of another.
Negatively, The World points toward delays and that you may still need to overcome some challenges before you suceed, so don't give up so close to the finish line.
Don't be lacking in vision or feel insecure, success will soon be yours.
Logically speaking it may be deduced that the countryside—
landscapes of all kinds—is the mundane manifestation of a dynamic complex
which in origin was non-spatial. Inner forces are liberated to unfold as forms
which disclose in themselves the qualitative and quantitative order of their inner
tensions. Thus a mountain crest becomes a graphic sign. Let us take, by way of
illustration, landscapes as they appear in dreams. Leaving aside the phenomenon
of memory, reminiscence, or the complex association of various sense-data, the
scenes and towns which figure in dreams are neither arbitrary and indeterminate
nor objective: they are symbolic—that is, they well up in order to illuminate
certain momentary experiences called forth by varying combinations of influences in varying degrees of intensity. Landscape-scenes arising in the imagination
in this way are sustained solely by the validity, duration and intensity of the
feelings which aroused them. Form—just as in physical morphology—is the
diagram of force. Now, what we have said about landscapes in dreams can be
applied also to an actual landscape, seen and selected by an automatic response of
the unconscious, which detects in it an affinity that gives us pause and makes us
return to it again and again. This, then, is a question not of a projection of the mind
but of an analogy whereby the landscape is adopted by the spirit in consequence
of the inner bond linking the character of the scene with the spirit of the observer
himself. Subjectivism concerns only the act of choosing. The intellection of the
significance of a landscape is, then, wholly objective, as is the grasping of the
symbolic values of colours and numbers. The Chinese saw this with the utmost
clarity: as Luc Benoist has observed, Chinese art has always placed more emphasis upon landscape than upon man (as a figure, that is to say), and upon the
macrocosm rather than the microcosm. ‘If the superior man loves the countryside,’ to quote the words of Kuo Hsi, ‘why is this so? Hills and gardens will
always be the haunts of him who seeks to cultivate his original nature; fountains
and rocks are a constant joy to him who wanders whistling among them. . .’ (6).
It is a well-established tradition of symbology that the different worlds (or zones)
are strictly only different states of being. Hence the fact that the ‘chosen site’ is
the enshrining image which arises out of it. The ‘trysting place’, when it truly
possesses that character, and is not merely arbitrary or fortuitous, signifies a
meeting or ‘conjoining’ in precisely this same sense—that is, transposed into topographical or spatial terms (26). However revolutionary these assertions may
seem, they are nevertheless confirmed by the findings of the psychology of form
and by isomorphism, since it has been shown that it is not possible to distinguish
between psychic and physical formal processes—other than externally. In support of all this, there is the comment of Mircea Eliade that ‘In point of fact, man
never chooses a site, he simply “discovers it”. . . . One of the means of discovering
one’s situation is by orientation’ (17). Now, in order to grasp the symbolic sense
of a landscape it is necessary to distinguish between the predominant elements
and the merely incidental, and between the character of the whole and the character of the component elements. When the predominant element is a cosmic one,
its effect is to bind all the other components together, and it is this cosmic
ingredient which makes its influence felt over and above that of the individual
features of the landscape. Instances of such cosmic features are the sea, the
desert, the icy wastes, the mountain-peak, clouds and sky. It is when the ingredients of landscape-symbolism are varied and evenly balanced that symbolic interpretation is most needed. The interpreter must, then, look for the following: (a)
a spatial pattern organized within particular limits which endow it with a structure after the manner of a building or a work of art. By spatial symbolism we
mean, in the first place, the symbolism of level, that is, the disposition of the
zones of the landscape according to the three levels of the normal, the lower and
the higher; and secondly the symbolism of orientation, that is, the position of the
accidental elements in relation to the north-south and the east-west axes. He must
then bear in mind (b) the form—the pattern or the shape of the terrain, whether
it is undulating or broken, steeply sloped or flat, soft or hard; (c) the positional
relationship of the particular area chosen to the region as a whole or to the zone
surrounding it—whether it is lower or higher, more open or more enclosed; and
finally (d) the natural and artificial elements which make up the organized pattern: trees, shrubs, plants, lakes, springs, wells, rocks, sandy shores, houses,
steps, benches, grottoes, gardens, fences, doors and gates. Also important is the
predominating colour, or the clash of colours, or the general feeling of fecundity or
barrenness, of brightness or gloom, of order or disorder. Roads and cross-roads
are of great significance, and so are streams. About the objective meaning of each
of the factors we have listed above there is much that we could say; however,
since the more important factors—such as the symbolism of level—are dealt
with under separate headings, we will here add no more than a few notes. Steepness indicates primitiveness and regression; flat country denotes the apocalyptic
end, the longing for power and for death. There is a Persian tradition that, when
the end of the world has come—when Ahriman is vanquished for ever, the mountains will be levelled and all the earth will become one great plain. Ideas cognate with this are to be found in certain traditions of Israel and France (35). It would
not be hard to point to the history of architecture and town-planning as evidence
of the subconscious application of these principles. Furthermore, there are some
aspects of landscapes which have a symbolic air about them that is very difficult
to analyse intellectually. For instance, the following descriptive passage from
Dante’s Commedia has always seemed to us to evoke an atmosphere of profound
mystery: ‘Around this little island, in its lowest reaches, there, where it is lashed
by the waves, reeds grow in the soft mud’ (Purgatorio I, 100). Independent of the
cosmic significance of landscape, there may also be a sexual implication. It is also
essential to bear in mind that this is not strictly a matter of symbols as such but
of complex, symbolic functions. For instance, in scenes depicting low-lying topographical features, the following factors may be at work: (a) depth in the sense
of what is base, comparable therefore with the wicked and infernal; (b) depth in
the sense of what is symbolically profound; (c) depth as it pertains to the material earth itself, implying a chthonian and maternal symbolism. Only the context
can help us to tell the essence from the accessory—as is true also of the vast
majority of symbols. Here we must bear in mind the primitive concept of the
archetypal ‘ideal countryside’. Schneider has observed that the fact of there being
so many identical names for rivers and mountains in different parts of the world,
suggests that megalithic ways of thought must have led to the custom of naming
the topographical features of different regions after some ideal model. This model,
it may be argued, could be the product of the lasting impression made upon the
mind of Primitive Man by a particular environment endowed with such unity and
variety as to prevent him from ever wishing to leave it; but it could also be
explained as the projection of a psychic order founded upon laws comparable
with those governing quaternary patterns, or the mandala, etc. Man’s attention
was first drawn to the contraposition of heaven and earth by topographical
features, and he gave expression to this in the struggle between gods and Titans,
angels and demons, and in the opposition of mountain and valley. Next, he set out
to explain the earth’s surface by means of the laws of orientation, taking the four
points of the compass from the apparent orbit of the sun as well as from the
human anatomy, and identifying them as ambivalent forces—ambivalent because
they are at once hostile to things external and the defenders of their limits. As
Schneider adds: ‘To preserve cosmic order, the gods fought with the giants and
the monsters which had from the very beginning of creation sought to devour the
sun. They stationed the heroic lion on the celestial mountain. Four archers’—the
tetramorphs—’are continuously on guard day and night against anyone who
attempts to disrupt the order of the cosmos’ (50). The stockade, the wall or stone
enclosure, comments Eliade, are among the oldest known parts of the structure of temples, appearing as early as in proto-Indian civilizations such as that of MohenjoDaro and also in Crete (17). They owe their origins to the same basic, primordial
idea of the symbolism of landscape—its representation of cosmic order. The
mountain with one peak is symbolic of the One—of transcendent purpose; the
two-peaked Mountain of Mars stands for the Gemini, the world of appearances
and the dualism of all forms of life. Both these symbolic mountains find their
symbolic complement in the general pattern of archetypal landscape—also, incidentally, an image of the year; this pattern is composed of the river of life (denoting the positive phase) and the river of oblivion (the negative phase) which flow
through the sea of flames (expressing infirmity) and well up from a single source
(birth or the Origin). According to this scheme, every landscape has a disastrous
and a felicitous tendency, corresponding on the temporal plane with the selfevident distinction between ‘coming’ and ‘going’ which in turn is analogous to the
two halves of human existence. But, quite apart from all this, the symbolic
interpretation of a landscape may be determined according to the laws governing
diverse and individual correspondences, as well as the overall significance derived
from the complex of meanings afforded by its separate features. By way of an
illustration of the many possibilities of interpreting the significance of a landscape, we will conclude with some comments on Vallcarca with its characteristic
low-lying features. The gardens are at a lower level than the city proper, and
screened from it by the vegetation, which has something of the archaic and oriental about it. The main street leads north towards an open plain, signifying the
process of disintegration. On the other hand, those streets which lead towards the
mountain are on the favourable axis. In this case, the interpretation is obvious
enough, as it is in all instances of scenes where it is possible to identify the
essential features of archetypal landscape.
To dream of various landscapes in your dream, represent where you are in your life or in your relationships. How do you see yourself with respect to the rest of the world and those around you? Consider what is going on in the landscape and how it may parallel your own waking life. In particular, a barren or dry landscape depicts dissatisfaction in your love life. According to Freud, the dream landscape symbolizes the human body. A landscape with gentle contours symbolize the female body, while a rocky landscape represents the male body. Also consider the feelings that the landscape invokes.
To dream of ever changing landscapes, indicates psychological transitions or emotional progress. It represents the various stages in your life. Alternatively, it may be offering you various viewpoints in looking at the same idea or situation. Something may be slipping away from your grasp. Look at the symbolism of key elements in the landscape.
Dreaming of various landscapes in your dream, represents where you are in your life or in your relationships. How do you see yourself with respect to the rest of the world and those around you? According to Freud, the landscape symbolizes the human body. Dreaming of ever changing landscapes indicates psychological transitions or emotional progress. It represents the various stages in your life. Alternatively, it may be offering you various viewpoints in looking at the same idea or situation. Consider the symbolism of key elements in the landscape.