Night is related to the passive principle, the feminine and the unconscious. Hesiod gave it the name of ‘mother of the gods’, for the Greeks believed
that night and darkness preceded the creation of all things (8). Hence, night—like
water—is expressive of fertility, potentiality and germination (17); for it is an
anticipatory state in that, though not yet day, it is the promise of daylight. Within
the tradition of symbology it has the same significance as death and the colour
black.

To have a dream that takes place at night, represents some major setbacks and obstacles in achieving your goals. You are being faced with an issue that is not so clear cut. Perhaps, you should put the issues aside so you can clear your head and come back to it later. Alternatively, night may be synonymous with death, rebirth, reflection, and new beginnings.

If you are surrounded by night in your dreams, you may expect unusual oppression and hardships in business. If the night seems to be vanishing, conditions which hitherto seemed unfavorable will now grow bright, and affairs will assume prosperous phases.

Dreaming of night means some major setbacks and obstacles in achieving your goals. You may find that some issues you are facing are not all that clear and you need to put them to rest for awhile before a decision is made.

To see a rainbow in your dream, represents hope, success and good fortune in the form of money, prestige, or fame. The rainbow is also seen as a bridge between your earthly, grounded self and the higher, spiritual self. It refers to joy and happiness in your relationship. Alternatively, the rainbow is a symbol for gay pride in the western culture.

To see an all white rainbow in your dream, signifies heightened spirituality and purity.

To see a rainbow in a dream, is prognostic of unusual happenings. Affairs will assume a more promising countenance, and crops will give promise of a plentiful yield.

For lovers to see the rainbow, is an omen of much happiness from their union.

To see the rainbow hanging low over green trees, signifies unconditional success in any undertaking.

Seeing a rainbow in your dream means much hope, success and good fortune in the form of money, prestige, or fame. The rainbow is a bridge between your earthly, grounded self and the higher, spiritual self. For lovers to see a rainbow, symbolizes overwhelming happiness from their union.

Rainbows are colourful bridges that fall across the sky, but we can not walk across them. Currently you may experience great joy and have extraordinary or even magical ideas, but remember that you can not walk across the rainbow bridge, so stay well-grounded. Usually a rainbow follows a rainstorm. If so, you have weathered a difficult time that is coming to closure, this dream symbol may represent your optimism. Generally, rainbows make people smile and feel happy. Thus, some may consider this dream a sign of your good luck.

To see or spin a top in your dream, represents idleness. You are not going anywhere in life and are wasting your time away on frivolous pleasures.

To dream that you are on top, signifies your goals, aspirations and ideals. You are seeking higher understanding and knowledge.

Seeing or spin a top in your dream, represents idleness. You are wasting your time away on frivolous pleasures. Dreaming that you are on top means your aspirations and ideals. You are seeking higher understanding and knowledge.

To dream that you are playing a piano, indicates a quest for harmony in your life. Consider where the piano is placed as a clue as to what aspect of your life needs accordance.

To dream that you hear the sound of a piano, suggests harmony in your life. You are pleased with the way your life is going.

To dream that the piano needs to be tuned, indicates some aspect of your life is in discord. You need to devote more time to a relationship, family duties, project, or other situation.

To dream of seeing a piano, denotes some joyful occasion.

To hear sweet and voluptuous harmony from a piano, signals success and health. If discordant music is being played, you will have many exasperating matters to consider. Sad and plaintive music, foretells sorrowful tidings.

To find your piano broken and out of tune, portends dissatisfaction with your own accomplishments and disappointment in the failure of your friends or children to win honors.

To see an old-fashioned piano, denotes that you have, in trying moments, neglected the advices and opportunities of the past, and are warned not to do so again.

For a young woman to dream that she is executing difficult, but entrancing music, she will succeed in winning an indifferent friend to be a most devoted and loyal lover.

Dreaming that you are playing a piano indicates your quest for harmony in your life. Consider where the piano is placed as a clue as to what aspect of you life needs accordance. Dreaming that you hear the sound of a piano, suggests harmony in your life. You are pleased with the way you life is going. Dreaming that the piano needs to be tuned indicates some aspect of your life is in discord. You need to pay more attention to some situation. You may also need to repair or devote some more time toward a relationship, family duties, project, or other situation.

To see the front of something in your dream, indicates that you expressing a desire to keep your distance. The dream may also be a pun on "fronting". Are you being someone that you are not? Are you overly concerned about how you come across to others and how they see you?

The symbolism of music is of the greatest complexity and we cannot
here do more than sketch out some general ideas. It pervades all the component
elements of created sound: instruments, rhythm, tone or timbre, the notes of the
natural scale, serial patterns, expressive devices, melodies, harmonies and forms.
The symbolism of music may be approached from two basic standpoints: either
by regarding it as part of the ordered pattern of the cosmos as understood by the ancient, megalithic and astrobiological cultures, or else by accepting it as a phenomenon of ‘correspondence’ linked with the business of expression and communication. Another of the fundamental aspects of music-symbolism is its connexion
with metre and with number, arising out of the Pythagorean theory (27). The
cosmic significance of musical instruments—their allegiance to one particular
Element—was first studied by Curt Sachs in Geist und Werden der
Musikinstrumente (Berlin, 1929). In this symbolism, the characteristic shape of
an instrument must be distinguished from the timbre, and there are some common
‘contradictions’ between these two aspects which might possibly be of significance as an expression of the mediating rôle of the musical instrument and of
music as a whole (for an instrument is a form of relationship or communication,
substantially dynamic, as in the case of the voice or the spoken word). For
example, the flute is phallic and masculine in shape and feminine in its shrill pitch
and light, silvery (and therefore lunar) tone, while the drum is feminine by virtue
of its receptacle-like shape, yet masculine in its deep tones (50). The connexion
of music-symbolism with self-expression (and even with graphic art) is well in
evidence in primitive music-making, which often amounted to almost literal imitations of the rhythms and movements, the features and even the shapes of
animals. Schneider describes how, hearing some Senegalese singing the ‘Song of
the Stork’, he began to ‘see as he was listening’, for the rhythm corresponded
exactly to the movements of the bird. When he asked the singers about this, their
reply confirmed his observation. Given the laws of analogy, we can also find
cases of the expressive transferred to the symbolic: that is, a melodic progression
as a whole expresses certain coherent emotions, and this progression corresponds
to certain coherent, symbolic forms. On the other hand, alternating deep and highpitched tones express a ‘leap’, anguish and the need for Inversion; Schneider
concludes that this is an expression of the idea of conquering the space between
the valley and the mountain (corresponding to the earth and the sky). He observes that in Europe the mystic designation of ‘high music’ (that is, high-pitched)
and ‘low music’ (low-pitched) persisted right up to the Renaissance. The question of relating musical notes to colours or to planets is far from being as certain
as other symbolic correspondences of music. Nevertheless, we cannot pass on
without giving some idea of the profound, serial relationship which exists in
phenomena: for instance, corresponding to the pentatonic scale we usually find
patterns grouped in fives; the diatonic and modal scale, since it has seven notes,
is related to most of the astrobiological systems, and is unquestionably the most
important of all the series; the present-day tendency towards the twelve-note
series could be compared to the signs of the Zodiac. But, so far, we have not found sufficient evidence for this particular facet of musicsymbolism. All the
same, here are the correspondences as set down by Fabre d’Olivet, the French
occultist: Mi—the Sun, fa—Mercury, sol—Venus, la—the Moon, ti—Saturn,
do—Jupiter, re—Mars (26). A more valid series of relationships, at least in the
expressive aspect, is that which links the Greek modes with the planets and with
particular aspects of the ethos, as follows: the mi-mode (the Dorian)—Mars
(who is severe or pathetic); the re-mode (the Phrygian)—Jupiter (ecstatic): the
do-mode (the Lydian)—Saturn (pained and sad); the ti-mode (the Hypodorian)—
the Sun (enthusiastic); the la-mode (the Hypophrygian)—Mercury (active); the
sol-mode (the Hypolydian)—Venus (erotic); the fa-mode (the Mixolydian)—the
Moon (melancholy) (50). Schneider’s profound investigations into the symbolism of music seem to us well-founded. The tetrachord formed by the notes do, re,
mi, fa, he considers, for instance, to be a mediator between heaven and earth, the
four notes corresponding respectively to the lion (signifying valour and strength),
the ox (sacrifice and duty), man (faith and incarnation) and the eagle (elevation
and prayer). Conversely, the tetrachord formed by sol, la, ti, do, could represent
a kind of divine duplicate of the previous tetrachord. Fa, do, sol, re are regarded as
masculine elements corresponding to the Elements of fire and air and to the
instruments of stone and metal, whereas la, mi, ti, are feminine, and pertain to the
Elements of water and earth. The interval fa-ti, known to musicologists as a
tritone (or augmented fourth), expresses with its dissonance the ‘painful’ clash
between the Elements of fire and water—a clash occurring in death itself (50). We
have been able to suggest here only a few outlines of the music-symbolism
developed by Schneider in his work The Musical Origin of Animal-Symbols, the
scope of which is so wide that, as he has privately intimated to us, he believes all
symbolic meanings are at root musical or at least to do with sounds. This becomes
easier to understand when we recall that singing, as the harmonization of successive, melodic elements, is an image of the natural connexion between all things,
and, at the same time, the communication, the spreading and the exaltation of the
inner relationship linking all things together. Hence Plato’s remark that the character of a nation’s music cannot be altered without changing the customs and
institutions of the State (26).

To hear harmonious and soothing music in your dream, signifies prosperity and pleasure. You are expressing your emotions in a positive way. Music serves to heal the soul.

To hear discordant or out of tune music in your dream, signifies unhappiness, lack of harmony, and troubles in your relationship or domestic life.

To dream of hearing harmonious music, omens pleasure and prosperity.

Discordant music foretells troubles with unruly children, and unhappiness in the household.