http://dreamcatcher.net/zurastar/14634
Precognitive: (8-11-13) So I was looking up pictures of Norman Reedus, the actor that plays Daryl Dixon, when I saw one that said he and Lady Gaga made a music video. Out of curiosity, I checked the video out. Lady Gaga holds a gun up to his lips, and paints him with lipstick. I've never seen the video, but immediately tied the gun in the video put to his lips to the one I saw put to his own lips in my dream. Pretty strange.
To see lips in your dream, signify sensuality, sex, love, and romance, especially if they were pursed. Lips are a means of communication as reflected in the familiar phrase "read my lips".
To dream that you or someone has blue lips, indicate illness or possible problems with your blood circulation.
To dream that you or someone has black lips, suggests that you are refusing to say anything about a particular situation. You are remaining completely silence.
To dream of thick, unsightly lips, signifies disagreeable encounters, hasty decision, and ill temper in the marriage relation.
Full, sweet, cherry lips, indicates harmony and affluence.
To a lover, it augurs reciprocation in love, and fidelity.
Thin lips, signifies mastery of the most intricate subjects.
Sore, or swollen lips, denotes privations and unhealthful desires.
To see a gun in your dream, symbolizes aggression, anger, and potential danger. You may be dealing with issues of passiveness/aggressiveness and authority/dependence. Alternatively, a gun represents the penis and male sexual drive. Thus, the gun may mean power or impotence, depending on whether the gun went off or misfired.
To dream that you are loading a gun, forewarns that you should be careful in not letting your temper get out of control.
To dream that a gun jams or fails to fire, indicates that you are feeling powerless in some waking situation. Perhaps you need to attack your problems from a different approach. Alternatively, a malfunctioning gun represents sexual impotence or fear of impotence.
To dream that you shoot someone with a gun, denotes your aggressive feeling and hidden anger toward that particular person.
To dream that someone is shooting you with a gun, suggests that you are experiencing some confrontation in your waking life. You feel victimized in some situation.
This is a dream of distress. Hearing the sound of a gun, denotes loss of employment, and bad management to proprietors of establishments.
If you shoot a person with a gun, you will fall into dishonor.
If you are shot, you will be annoyed by evil persons, and perhaps suffer an acute illness.
For a woman to dream of shooting, forecasts for her a quarreling and disagreeable reputation connected with sensations. For a married woman, unhappiness through other women.
Seeing a gun in your dream , symbolizes aggression, anger, and potential danger. You may be dealing with issues of passiveness/aggressiveness and authority/dependence. Alternatively, a gun can represent the penis and male sexual drive. Thus the gun may mean power and impotence. Dreaming that you are loading a gun, forewarns that you should be careful in not letting your temper get out of control. Dreaming that you shoot someone with a gun indicates your aggressive feelings and hidden anger toward that particular person. Dreaming that someone is shooting you with a gun, suggests that you are experiencing some confrontation in your waking life. You may feel victimized in some situation.
The gun in your dream could represent several different things, so please pay attention to the details and to the mood of the dream. The gun could symbolise the male sex organ, aggression, harshness, and fear. This dream may have sexual connotations, or your unconscious mind may be telling you not to harbour your negative feelings but express them more freely before they become explosive. On the more positive side of things, the gun could simply represent your need to protect yourself either emotionally or physically or both. If the gun in the dream is used to hurt or kill you or someone else, please consider your current difficulties, hostile feelings or serious arguments, which you may have within yourself or with others.
To see a pool of water in your dream, indicates that you need to acknowledge and understand your feelings. It is time to dive in and deal with those emotions. Alternatively, a pool indicates your desire to be cleansed. You need to wash away the past.
To dream that you are playing or shooting pool, represents your competitive nature. You need to learn to win or lose gracefully. Alternatively, shooting pool means that you need to concentrate harder on a problem in your waking life.
Seeing a pool of water in your dream indicates that you will find much happiness and pleasure in love and marriage. Your social life will keep you busy. Dreaming that you are shooting pool means that it is time to make new companionships.
The symbolism of music is of the greatest complexity and we cannot
here do more than sketch out some general ideas. It pervades all the component
elements of created sound: instruments, rhythm, tone or timbre, the notes of the
natural scale, serial patterns, expressive devices, melodies, harmonies and forms.
The symbolism of music may be approached from two basic standpoints: either
by regarding it as part of the ordered pattern of the cosmos as understood by the ancient, megalithic and astrobiological cultures, or else by accepting it as a phenomenon of ‘correspondence’ linked with the business of expression and communication. Another of the fundamental aspects of music-symbolism is its connexion
with metre and with number, arising out of the Pythagorean theory (27). The
cosmic significance of musical instruments—their allegiance to one particular
Element—was first studied by Curt Sachs in Geist und Werden der
Musikinstrumente (Berlin, 1929). In this symbolism, the characteristic shape of
an instrument must be distinguished from the timbre, and there are some common
‘contradictions’ between these two aspects which might possibly be of significance as an expression of the mediating rôle of the musical instrument and of
music as a whole (for an instrument is a form of relationship or communication,
substantially dynamic, as in the case of the voice or the spoken word). For
example, the flute is phallic and masculine in shape and feminine in its shrill pitch
and light, silvery (and therefore lunar) tone, while the drum is feminine by virtue
of its receptacle-like shape, yet masculine in its deep tones (50). The connexion
of music-symbolism with self-expression (and even with graphic art) is well in
evidence in primitive music-making, which often amounted to almost literal imitations of the rhythms and movements, the features and even the shapes of
animals. Schneider describes how, hearing some Senegalese singing the ‘Song of
the Stork’, he began to ‘see as he was listening’, for the rhythm corresponded
exactly to the movements of the bird. When he asked the singers about this, their
reply confirmed his observation. Given the laws of analogy, we can also find
cases of the expressive transferred to the symbolic: that is, a melodic progression
as a whole expresses certain coherent emotions, and this progression corresponds
to certain coherent, symbolic forms. On the other hand, alternating deep and highpitched tones express a ‘leap’, anguish and the need for Inversion; Schneider
concludes that this is an expression of the idea of conquering the space between
the valley and the mountain (corresponding to the earth and the sky). He observes that in Europe the mystic designation of ‘high music’ (that is, high-pitched)
and ‘low music’ (low-pitched) persisted right up to the Renaissance. The question of relating musical notes to colours or to planets is far from being as certain
as other symbolic correspondences of music. Nevertheless, we cannot pass on
without giving some idea of the profound, serial relationship which exists in
phenomena: for instance, corresponding to the pentatonic scale we usually find
patterns grouped in fives; the diatonic and modal scale, since it has seven notes,
is related to most of the astrobiological systems, and is unquestionably the most
important of all the series; the present-day tendency towards the twelve-note
series could be compared to the signs of the Zodiac. But, so far, we have not found sufficient evidence for this particular facet of musicsymbolism. All the
same, here are the correspondences as set down by Fabre d’Olivet, the French
occultist: Mi—the Sun, fa—Mercury, sol—Venus, la—the Moon, ti—Saturn,
do—Jupiter, re—Mars (26). A more valid series of relationships, at least in the
expressive aspect, is that which links the Greek modes with the planets and with
particular aspects of the ethos, as follows: the mi-mode (the Dorian)—Mars
(who is severe or pathetic); the re-mode (the Phrygian)—Jupiter (ecstatic): the
do-mode (the Lydian)—Saturn (pained and sad); the ti-mode (the Hypodorian)—
the Sun (enthusiastic); the la-mode (the Hypophrygian)—Mercury (active); the
sol-mode (the Hypolydian)—Venus (erotic); the fa-mode (the Mixolydian)—the
Moon (melancholy) (50). Schneider’s profound investigations into the symbolism of music seem to us well-founded. The tetrachord formed by the notes do, re,
mi, fa, he considers, for instance, to be a mediator between heaven and earth, the
four notes corresponding respectively to the lion (signifying valour and strength),
the ox (sacrifice and duty), man (faith and incarnation) and the eagle (elevation
and prayer). Conversely, the tetrachord formed by sol, la, ti, do, could represent
a kind of divine duplicate of the previous tetrachord. Fa, do, sol, re are regarded as
masculine elements corresponding to the Elements of fire and air and to the
instruments of stone and metal, whereas la, mi, ti, are feminine, and pertain to the
Elements of water and earth. The interval fa-ti, known to musicologists as a
tritone (or augmented fourth), expresses with its dissonance the ‘painful’ clash
between the Elements of fire and water—a clash occurring in death itself (50). We
have been able to suggest here only a few outlines of the music-symbolism
developed by Schneider in his work The Musical Origin of Animal-Symbols, the
scope of which is so wide that, as he has privately intimated to us, he believes all
symbolic meanings are at root musical or at least to do with sounds. This becomes
easier to understand when we recall that singing, as the harmonization of successive, melodic elements, is an image of the natural connexion between all things,
and, at the same time, the communication, the spreading and the exaltation of the
inner relationship linking all things together. Hence Plato’s remark that the character of a nation’s music cannot be altered without changing the customs and
institutions of the State (26).
To hear harmonious and soothing music in your dream, signifies prosperity and pleasure. You are expressing your emotions in a positive way. Music serves to heal the soul.
To hear discordant or out of tune music in your dream, signifies unhappiness, lack of harmony, and troubles in your relationship or domestic life.
To dream of hearing harmonious music, omens pleasure and prosperity.
Discordant music foretells troubles with unruly children, and unhappiness in the household.